1
00:00:00,700 --> 00:00:03,100
"AMERICA'S NEXT TOP MODEL"...

2
00:00:03,100 --> 00:00:04,400
- NOT THAT.
- OKAY.

3
00:00:04,400 --> 00:00:05,200
THAT'S HOOCHIE.

4
00:00:05,200 --> 00:00:08,500
I TAUGHT THE GIRLS HOW TO WORK
THEIR SIGNATURE POSES.

5
00:00:08,500 --> 00:00:10,600
- SO SHE'S A LITTLE TOO STIFF IN THE NECK.
- YEAH.

6
00:00:11,400 --> 00:00:12,900
BROADWAY BABY!

7
00:00:12,900 --> 00:00:14,200
AND AT THE PHOTO SHOOT,

8
00:00:14,200 --> 00:00:17,300
THE GIRLS HAD TO RECREATE AWARD SHOW MISHAPS.

9
00:00:17,300 --> 00:00:20,200
EVEN AS WE'RE JUST STARTING OUT,
IT'S FEELING POSE-Y AND FORCED.

10
00:00:20,200 --> 00:00:22,200
LAUREN BRIE'S PHOTOS WERE STIFF

11
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AND COULDN'T MAKE UP
FOR HER LACK OF CHARISMA,

12
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AND SHE WAS SENT HOME.

13
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SEVEN GIRLS REMAIN.

14
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WHO WILL BE ELIMINATED TONIGHT?

17
00:01:07,900 --> 00:01:10,000
antm s11e09

18
00:01:17,800 --> 00:01:19,900
THEY--THE JUDGES DON'T THINK I'M MODEL-ESQUE.

19
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- I DON'T UNDERSTAND.
- WELL, PROVE 'EM WRONG

20
00:01:21,700 --> 00:01:23,100
NEXT PHOTO SHOOT, GIRL.

21
00:01:23,100 --> 00:01:24,400
IT'S SO NERVE-RACKING.

22
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I DON'T KNOW HOW ELSE TO DESCRIBE
BEING IN THE BOTTOM TWO.

23
00:01:27,100 --> 00:01:28,700
OH! WHAT A CLOSE CALL.

24
00:01:28,700 --> 00:01:30,700
THIS WEEK, I'M JUST GON' HAVE TO REALLY BRING IT.

25
00:01:30,700 --> 00:01:32,500
AND YOU KNOW WHEN--WHEN SHE LOOKED AT MY PHOTO AND SHE WAS LIKE

26
00:01:32,500 --> 00:01:34,200
, "OH, WELL,YOU'RE STILL NOT LETTING GO."

27
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TOWARDS THE END,IT WAS REAL TEARS, BUT...

28
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CONTROLLED REAL TEARS.

29
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YOU THOUGHT YOU'D FINALLY LET GO.

30
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- YEAH.
- AND THE FACT THAT THEY SAID YOU DIDN'T

31
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IS REALLY HARD TO LISTEN TO,
REALLY HARD TO HEAR.

32
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GOD, IT'S EVEN GETTING TO ME RIGHT NOW.

33
00:01:48,700 --> 00:01:49,400
LET IT OUT.

34
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IT IS VERY FRUSTRATING FOR THE JUDGES TO SAY THAT

35
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I HAVEN'T BEEN COMPLETELY OPEN.

36
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THE REASON MAYBE WHY I'M--I'M A LITTLE MORE RESERVED,

37
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BECAUSE I AM FROM EUROPE,

38
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AND WE HAVE A DIFFERENT WAY OF APPROACHING
CERTAIN SITUATIONS.

39
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UNLESS YOU'RE FROM EUROPE OR EUROPEAN,

40
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YOU--YOU WILL NOT UNDERSTAND.

41
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- YOU JUST WON'T.
- NO.

42
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- NO WAY. NO HOW.
- I MEAN, WHEN I CRIED,I WAS TOLD TO SHUT UP.

43
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- YEAH. MM-HMM.
- INSTANTLY?

44
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INSTANTLY.I MEAN, YOU DON'T CRY.

45
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IT'S DEFINITELY HARD TO BE UNDERSTOOD HERE.

46
00:02:12,800 --> 00:02:14,700
HERE. DEFINITELY.

47
00:02:14,700 --> 00:02:16,600
I UNDERSTAND WHERE ELINA'S COMING FROM.

48
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WE DO HAVE A COMMONALITY
BEING THAT WE'RE BOTH EUROPEAN.

49
00:02:20,600 --> 00:02:22,700
YEAH, BUT DIDN'T YOU GUYS MOVE HERE, LIKE,

50
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WHEN YOU WERE 8 OR SOMETHING?

51
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O GOD.

52
00:02:25,400 --> 00:02:27,700
DON'T YOU HAVE, LIKE,11 YEARS TO KIND OF, LIKE,

53
00:02:27,700 --> 00:02:29,600
- ADAPT TO AMERICAN STYLE?
- TO ERASE OUR--

54
00:02:29,600 --> 00:02:35,900
DO YOU UNDERSTAND HOW HURTFUL THAT IS?

55
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AS IF I HAVEN'T DEALT WITH THIS
MY WHOLE LIFE, LIVING HERE?

56
00:02:40,100 --> 00:02:42,100
HOW COULD SHE POSSIBLY
NOT BE AWARE OF THE FACT

57
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THAT SAYING SOMETHING LIKE THAT
COULD BE HURTFUL.

58
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ARE YOU HAPPY HERE IN AMERICA?

59
00:02:45,600 --> 00:02:46,900
OF COURSE WE ARE!

60
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IT SEEMS LIKE YOU'RE SO FRUSTRATED BY SO MUCH.

61
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OH, WOW.WE'RE--NO,

62
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I'M NOT BLAMING AMERICA.

63
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- I'M JUST SAYING--
- I'M NOT EITHER.

64
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I'M JUST SAYING,
THIS HAPPENED. WE HAD TO ADAPT.

65
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WE DID.

66
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OKAY, FINE GET IT.YOU'RE AN IMMIGRANT
AND YOU'RE GONNA BLAME

67
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EVERY SINGLE ONE OF YOUR PROBLEMS
ON YOU BEING AN IMMIGRANT.

68
00:03:01,100 --> 00:03:03,600
YOU'RE ONLY A IMMIGRANT IN YOUR MIND.

69
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YOU'RE ONLY THE WAY YOU FEEL.

70
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THEY DON'T CARE TO UNDERSTAND ELINA AND I.

71
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THEY WANT US TO SAY, "OH, YEAH,

72
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WE'RE DIFFERENT. WE'RE WRONG.

73
00:03:11,700 --> 00:03:13,500
SORRY. YOU GUYS ARE THE NORM."

74
00:03:16,300 --> 00:03:19,300
SHEENA--SHE SAID,"SO DO YOU LIKE LIVING IN AMERICA?"

75
00:03:19,300 --> 00:03:20,300
I KNOW, THAT WAS... EXACTLY.

76
00:03:20,300 --> 00:03:22,200
AND THAT'S WHERE THAT WAS GOING.

77
00:03:22,200 --> 00:03:23,500
SHE SHOULD'VE JUST--SHE MIGHT AS WELL JUST SAID,

78
00:03:23,500 --> 00:03:24,900
"WHY DON'T YOU GO BACK TO YOUR COUNTRY?"

79
00:03:24,900 --> 00:03:26,200
- SHE MIGHT AS WELL HAVE JUST SAID THAT.
- EXACTLY.

80
00:03:26,200 --> 00:03:27,600
WE'RE GETTING ATTACKED.

81
00:03:27,600 --> 00:03:29,100
IT'S ANNOYING 'CAUSE, LIKE,EVERY SINGLE TIME

82
00:03:29,100 --> 00:03:30,500
THEY'RE A LITTLE FROM SOMEBODY,THEY'RE LIKE,

83
00:03:30,500 --> 00:03:33,100
"OH, IT'S BECAUSE YOU'RE--I'M EUROPEAN.
YOU WOULDN'T UNDERSTAND."

84
00:03:33,100 --> 00:03:34,300
THAT'S WHY...

85
00:03:34,300 --> 00:03:35,800
IN THIS COMPETITION,

86
00:03:35,800 --> 00:03:37,500
- THAT'S GON' BE THEIR DEFAULT.
- NO, EXACTLY.

87
00:03:37,500 --> 00:03:38,600
LET 'EM BE.

88
00:03:38,600 --> 00:03:39,900
ELINA AND MARJORIE

89
00:03:39,900 --> 00:03:42,600
DON'T MAKE YOURSELF FEEL LIKE SUCH A VICTIM.

90
00:03:42,600 --> 00:03:44,400
#1 MOTHER IS FOREIGNAM AND HAS AN ACCENT.

91
00:03:44,400 --> 00:03:45,900
I EMBRACE MY CULTURE.

92
00:03:45,900 --> 00:03:48,400
BUT AT THE SAME TIME,I CAN STILL MAINTAIN
BEING AMERICAN.

93
00:03:48,400 --> 00:03:50,500
WHO--WHO REALLY CRYING ABOUT WHERE THEY FROM?

94
00:03:50,500 --> 00:03:52,400
IT'S WHERE YOU'RE GOING,NOT WHERE YOU'RE FROM.

95
00:03:52,400 --> 00:03:56,500
I DON'T HAVE TIME TO WORRY ABOUT IMMIGRATION

96
00:03:56,500 --> 00:03:58,700
AND WHY SHE'S YING OVER THERE.

97
00:03:58,700 --> 00:04:03,400
JOSLYN, YOUR PHOTOS STARTED OFF SO STRONG
IN THIS COMPETITION,

98
00:04:03,400 --> 00:04:05,300
BUT IT'S KIND OF DRIZZLED AWAY.

99
00:04:05,300 --> 00:04:08,100
MY MAIN FOCUS IS TO STEP BACK UP THE LADDER.

100
00:04:08,100 --> 00:04:10,300
AND IT'S, LIKE, GETTING HARDER AND HARDER.

101
00:04:10,300 --> 00:04:13,300
I'M STARTING TO FEEL LIKE I'M SOMEWHAT BREAKING DOWN.

102
00:04:14,600 --> 00:04:17,900
TYRA MAIL!

103
00:04:19,400 --> 00:04:21,500
"WORK IT, SELL IT, OWN IT.

104
00:04:21,500 --> 00:04:23,500
LOVE, TYRA."

105
00:04:32,000 --> 00:04:35,200
NE OF US I OORDINARY...

106
00:04:35,800 --> 00:04:38,800
BUT THE TWO OF US ARE EXTRAORDINARY.

107
00:04:40,600 --> 00:04:43,100
YOU MIGHT REMEMBER US FROM A COUPLE OF CYCLES BACK

108
00:04:43,100 --> 00:04:45,100
WHEN WE TAUGHT THE GIRLS "ASWIRL."

109
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AND TODAY, WE'RE HERE TO DO SOMETHING SIMILAR.

110
00:04:47,100 --> 00:04:48,300
I LOVE THEM.

111
00:04:48,300 --> 00:04:49,600
I LOVE THEIR PERSONALITY.

112
00:04:49,600 --> 00:04:51,000
I LOVE EVERYTHING ABOUT THEM.

113
00:04:51,000 --> 00:04:53,600
WE'RE HERE TO TEACH YOU HOW TO WORK WITH ACCESSORIES--

114
00:04:53,600 --> 00:04:55,600
GLOVES, SCARVES, HATS--

115
00:04:55,600 --> 00:04:58,800
HOW TO MAKE THAT GARMENT SELL FOR THE DESIGNER.

116
00:04:58,800 --> 00:05:01,500
IT'S WORKING THE GARMENT, THE VERSATILITY OF IT,

117
00:05:01,500 --> 00:05:03,900
WE'RE GONNA DEMONSTRATE HOW WE WOULD DO THAT.

118
00:05:06,500 --> 00:05:09,700
I FEEL IT. I'M GONNA SELL A THOUSAND OF THESE SCARVES.

119
00:05:09,700 --> 00:05:13,500
A HANDBAG IS A SIMPLE ITEM
TH CAN COME ALIVEE ROUGH MODELING.

120
00:05:13,500 --> 00:05:15,900
THEY WERE JUST, LIKE,BIG TEDDY BEARS.

121
00:05:15,900 --> 00:05:17,100
YOU JUST WANTED TO HUG THEM.

122
00:05:17,100 --> 00:05:19,100
HATS OFF TO YOU. LET'S DO IT.

123
00:05:19,100 --> 00:05:20,000
ALL RIGHT.

124
00:05:24,000 --> 00:05:25,500
LET--LET ME DEMONSTRATE SOMETHING TO YOU.

125
00:05:25,500 --> 00:05:27,300
WE GOT TO REMEMBER WE'RE SELLING.

126
00:05:27,300 --> 00:05:28,800
WE BRING IT UP.

127
00:05:28,800 --> 00:05:30,400
WE SLIP IT ON.

128
00:05:30,400 --> 00:05:31,600
WE GIVE A LOOK.

129
00:05:31,600 --> 00:05:34,100
WE ARE SELLING THIS HAT.

130
00:05:34,100 --> 00:05:36,600
OH, BOY NOW.

132
00:05:39,900 --> 00:05:41,400
I COULD TURN A SCARFCARF INTO A DRESS.

133
00:05:42,700 --> 00:05:44,700
CAN YOU TAKE IT FROM NIGHT TO DAY?

134
00:05:44,700 --> 00:05:46,900
DAY--YOU CAN JUST USE THE HANDLE.

135
00:05:46,900 --> 00:05:49,600
AND AT NIGHT...

136
00:05:49,600 --> 00:05:50,500
YOU CAN USE IT AS A CLUTCH.

137
00:05:50,500 --> 00:05:53,200
THAT IS SHOWING THAT VERSATILITY OF THAT BAG.

138
00:05:55,300 --> 00:05:58,200
REMEMBER, YOU HAVE TO KEEP IT
SO THAT YOU CAN TAKE IT OFF.

139
00:05:58,200 --> 00:05:58,700
OKAY.

140
00:05:58,700 --> 00:06:01,300
MARJORIE WAS JUST...I DON'T KNOW WHAT SHE WAS DOING.

141
00:06:01,300 --> 00:06:03,500
SHE GRABBED THIS SKIRT AND, LIKE, TOOK, LIKE,

142
00:06:03,500 --> 00:06:06,500
ABOUT AN HOUR TO PUT THROUGH THE HOLE.

143
00:06:06,500 --> 00:06:08,000
WHAT YOU NEED TO DO

144
00:06:08,000 --> 00:06:09,700
IS TO WRAP IT SO

145
00:06:09,700 --> 00:06:13,200
TO GET OUT OF THE DRESS WITHOUT ALL THAT DIFFICULTY.

146
00:06:13,200 --> 00:06:16,400
DO YOU SEE HOW RICHARD IS MOVING THAT AROUND AND AROUND?

147
00:06:16,400 --> 00:06:16,800
YEAH!

148
00:06:16,800 --> 00:06:18,000
- WHAT YOU NEED TO--
- SEE? IT'S EASY.

149
00:06:18,000 --> 00:06:20,900
MODELING IS ABOUT SIMPLICITY.

150
00:06:20,900 --> 00:06:25,200
NOW YOU WILL BE SENT OFF TO SOMETHING
THAT'S INCREDIBLY EXCITING.

151
00:06:25,200 --> 00:06:28,700
I KNOW A CHALLENGE IS ABOUT TO IMMEDIATELY FOLLOW,

152
00:06:28,700 --> 00:06:32,500
AND I'M JUST EXCITED,WONDERING, "WHAT'S NEXT?"

153
00:06:36,900 --> 00:06:41,700
OUT WALKS SOMEONE
IN THIS GREEN SPANDEX SUIT.

154
00:06:41,700 --> 00:06:43,900
WE'RE LIKE, WHAT?

155
00:06:43,900 --> 00:06:47,000
AND WE LOOK AT THIS TV SCREEEG AND ALL YOU COULD SEES

156
00:06:47,000 --> 00:06:49,900
WERE THE CLOTHES THAT TXTS PERSON HAD ON.

157
00:06:49,900 --> 00:06:51,600
I WAS LIKE, WOW!

158
00:06:55,300 --> 00:06:56,800
HELLO, LADIES.I'M JAMES ST. JAMES--

159
00:06:56,800 --> 00:06:59,700
"FREAK SHOW" AUTHOR AND FASHION PROVOCATEUR.

160
00:06:59,700 --> 00:07:01,000
IT'S JAMES ST. JAMES.

161
00:07:01,000 --> 00:07:02,900
HE'S VERY OUTSIDE THE BOX.

162
00:07:02,900 --> 00:07:04,500
HE'S HIS OWN PERSON.

163
00:07:04,500 --> 00:07:08,000
NOW WHAT YOU JUST WITNESSED IS A PREVIEW
OF YOUR NEXT FASHION CHALLENGE.

164
00:07:08,000 --> 00:07:11,300
YOU WILL BE PEMING IN AN AVANT-XT FASHION PREVIEWER

165
00:07:11,300 --> 00:07:14,100
OF PETRO ZERS INVISIBLE MODEL COLLECTION.

166
00:07:14,100 --> 00:07:16,800
NOW LET ME INTRODUCE YOU
TO THE DESIGNER AND THE OWNER

167
00:07:16,800 --> 00:07:19,600
OF THE HOUSE OF PETRO ZILLIA--MISS NONY TOCHTERMAN!

168
00:07:19,600 --> 00:07:20,700
HI!

169
00:07:20,700 --> 00:07:21,700
- HI, JAMES.
- HI.

170
00:07:21,700 --> 00:07:23,200
- HELLO, LADIES.
- HELLO!

171
00:07:23,200 --> 00:07:25,900
I SPEND A LOT OF TIME DESIGNING MY PIECES,

172
00:07:25,900 --> 00:07:29,500
AND I WANT THEM TO LOOK A CERTAIN WAY
WHEN THEY ARE SHOWCASED.

173
00:07:29,500 --> 00:07:32,000
YOU NEED TO IMPRESS NONY
AND HER FASHIONABLE FRIENDS

174
00:07:32,000 --> 00:07:35,700
BECAUSE WE ARE HOLDING
A PRIVATE FASHION PREVIEW OF HER COLLECTION,

175
00:07:35,700 --> 00:07:38,300
SHOWCASING YOU ALL AS THE INVISIBLE MODELLE

176
00:07:38,300 --> 00:07:40,000
WE'RE NOT GONNA BE THERE.
WE'RE NOT A PRETTY FACE.

177
00:07:40,000 --> 00:07:41,800
WE JUST HAVE TO MAKE THE CLOTHES LOOK GOOD.

178
00:07:41,800 --> 00:07:43,900
BY PUTTING YOU IN THIS GREEN SUIT,

179
00:07:43,900 --> 00:07:46,500
YOU ARE GOING TO DISAPPEAR COMPLETELY,

180
00:07:46,500 --> 00:07:49,700
LEAVING THE AUDIENCE TO ONLY SEE THE CLOTHING.

181
00:07:49,700 --> 00:07:54,500
I WILL BE IN THE AUDIENCE WATCHING TO SEE

182
00:07:54,500 --> 00:07:58,100
WHO MAKES MY CLOTHING THE STAR OF THE NIGHT.

183
00:08:02,700 --> 00:08:04,000
- THIS IS CRAZY.
- IT'S GONNA BE FUN.

184
00:08:04,000 --> 00:08:06,600
WE PUT ON THE GREEN BODYSUITS.IT'S FRICKIN' HOT.

185
00:08:06,600 --> 00:08:09,400
AND I'M JUST LIKE... GREAT! THIS IS GREAT!

186
00:08:09,400 --> 00:08:11,400
OKAY, SO HERE YOU GO. OKAY.

187
00:08:11,400 --> 00:08:15,100
I REALLY LOVED THE DRESS SHE GAVE ME
BECAUSE IT WAS VERY FLOWY.

188
00:08:15,100 --> 00:08:20,400
THE BELT COULD BE TAKEN OFF
TO SHOW HOW FLOWY THE DRESS WAS.

189
00:08:20,400 --> 00:08:24,000
I COULD DO SOMETHING THAT PERTAINED TO MY TEACHING.

190
00:08:24,000 --> 00:08:26,100
THIS ONE GOES THIGOWAY.0S

191
00:08:26,100 --> 00:08:29,600
NONY PUT ME IN THIS REALLY, REALLY SKINTIGHT DRESS.

192
00:08:29,600 --> 00:08:31,100
AND IT'S A REALLY SEXY DRESS,

193
00:08:31,100 --> 00:08:33,100
BUT I'M NOT THE PERSON TO EVER FEEL SEXY.

194
00:08:35,100 --> 00:08:36,900
- HI!
- HELLO, LADIES!

195
00:08:36,900 --> 00:08:38,300
EVERYBODY LOOKS GORGEOUS.

196
00:08:38,300 --> 00:08:38,900
THANK YOU!

197
00:08:38,900 --> 00:08:41,400
LISTEN, I'M GONNA BRING SOMEBODY OUT THAT YOU ALL KNOW--

198
00:08:41,400 --> 00:08:44,400
MISS ANN SHOKET FROM "SEVENTEEN" MAGAZINE.

199
00:08:46,200 --> 00:08:47,800
OH, MY GOD!

200
00:08:47,800 --> 00:08:50,000
THE WINNER OF TODAY'S CHALLENGE

201
00:08:50,000 --> 00:08:54,900
IS GOING T G IN A BEAUTIFUL HOLIDAY FASHION AND ACCESSORIES STORY

202
00:08:54,900 --> 00:08:58,900
IN THE DECEMBER/JANUARY ISSUE OF "SEVENTEEN" MAGAZINE.

203
00:09:00,400 --> 00:09:02,200
I'MNA BE SITTING IN THE FRONT ROW,

204
00:09:02,200 --> 00:09:04,900
WATCHING HOW YOU SHOW OFF THESE CLOTHES.

205
00:09:10,200 --> 00:09:12,700
OKAY, LISTEN, GIRLS.YOU HAVE A LOT OF THINGS
TO BE THINKING OF HERE.A'

206
00:09:12,700 --> 00:09:14,300
BUT JUST RELAX, HAVE FUN,

207
00:09:14,300 --> 00:09:15,800
AND TRY NOT TO FALL OFF THE STAGE.

208
00:09:15,800 --> 00:09:16,500
OKAY.

209
00:09:16,500 --> 00:09:18,700
AS I PUT THE GREEN SUIT OVER MY HEAD,

210
00:09:18,700 --> 00:09:20,400
I STARTED TO BREATHE HEAVILY.

211
00:09:20,400 --> 00:09:22,600
IT WAS SO TIGHT ON MY FACE AND I COULDN'T SEE.

212
00:09:22,600 --> 00:09:24,500
I REALLY LITERALLY COULDN'T BREATHE.

213
00:09:24,500 --> 00:09:26,600
ELINA--SHE WAS COMPLAINING HOW,

214
00:09:26,600 --> 00:09:28,500
"OH, MY GOD!I'M GETTING CLAUSTROPHOBIC!

215
00:09:28,500 --> 00:09:30,800
I CAN'T BREATHE!I CAN'T STAND BEING TIED DOWN."

216
00:09:30,800 --> 00:09:33,900
IT'S LIKE, WELL, YOU'RE GONNA HAVE TO WORK IT SOMEHOW.

217
00:09:34,600 --> 00:09:35,700
FIRST UP. OKAY.

218
00:09:35,700 --> 00:09:38,000
MY HEART STARTED POUNDING
AND I STARTED TO PANIC.

219
00:09:38,000 --> 00:09:39,400
I DIDN'T THINK I COULD DO IT.

220
00:09:46,100 --> 00:09:48,000
I DIDN'T THINK I COULD DO IT.I JUST GOT TOO NERVOUS

221
00:09:48,000 --> 00:09:50,000
AND I STARTED THINKING ABOUT
EVERYTHING THAT COULD GO WRONG.

222
00:09:50,400 --> 00:09:54,100
AND THEN I HEARD THE MUSIC
AND I STARTED DANCING WITH JAMES.

223
00:09:54,100 --> 00:09:56,500
I STARTED TO FEEL VERY GOOD AND VERY FUN.

224
00:09:56,500 --> 00:09:58,600
GO AHEAD. WATCH THE CURTAIN.

225
00:09:58,600 --> 00:10:01,600
AND THEN WHEN I WAS ONSTAGE,
THAT KIND OF JUST TRANSLATED.

226
00:10:01,600 --> 00:10:05,300
WHEN YOU DO LET GO AND YOU REALLY DON'T CARE 0
:WHAT ANYONE THINKS ABOUT YOU,

227
00:10:05,300 --> 00:10:07,100
I--THAT DEFINITELY HELPS.

228
00:10:08,500 --> 00:10:10,700
MY MAIN GOAL WHEN I GO OUT THERE IS
I REALLY WANT TO SHOW

229
00:10:10,700 --> 00:10:12,300
THE FULLNESS OF THE SKIRT AND HOW IT MOVES.

230
00:10:12,300 --> 00:10:15,300
AND, UH, I JUST WANT TO BE ABLE TO, LIKE, PICK IT UP
AND PLAY WITH IT.ER

231
00:10:15,600 --> 00:10:19,700
McKEY--SHE TOOK HER DRESS AND SHE PULLED IT
AS WIDE AS IT POSSIBLY COULD GO.

232
00:10:19,700 --> 00:10:22,700
AND THAT'S NOT WHAT THE DRESS IS SUPPOSED TO LOOK LIKE.

233
00:10:23,100 --> 00:10:25,600
THE GREEN BODYSUIT'S INCREDIBLY HOT
AND YOU CAN'T REALLY SEE.

234
00:10:25,600 --> 00:10:27,700
BUT AT THE SAME TIME,
IT KIND OF HELPS ME IN A WAY

235
00:10:27,700 --> 00:10:29,300
BECAUSE I CAN'T SEE THE AUDIENCE.

236
00:10:33,000 --> 00:10:36,300
MARJORIE'S DRESS FALLS OFF WHEN SHE'S ONSTAGE,

237
00:10:36,300 --> 00:10:38,800
AND THE POOR THING T EVEN KNOW THAT IT HAPPENED.

238
00:10:38,800 --> 00:10:41,000
WHAT I'M DOING.

239
00:10:41,000 --> 00:10:42,600
I'M JUST TRYING TO GET IT OVER WITH.

240
00:10:42,600 --> 00:10:46,000
EN I JOSLYN TELLS ME
THAT MY DRESS IS DOWN.

241
00:10:46,000 --> 00:10:47,900
THE DESIGNER WAS RIGHT INRIRONTINF MENT-S

242
00:10:47,900 --> 00:10:50,300
I'M EMBAXTD AND KIND OF HUMILIATED.

243
00:10:54,900 --> 00:10:57,300
ANALEIGH DID SOMETHING
REALLY CUTE WITH HER PEARLS.

244
00:10:57,300 --> 00:11:00,400
SHE SORT OF PULLED HER PEARLS OFF TO THE SIDE
AND GAVE A LITTLE BIT OF ATTITUDE,

245
00:11:00,400 --> 00:11:01,500
AND I THOUGHT THAT WAS NICE.

246
00:11:02,200 --> 00:11:04,200
GO HAVE FUN. BE FABULOUS.

247
00:11:05,200 --> 00:11:08,400
WHEN I GOT OUT THERE,ALL I WAS THINKING WAS VERSATILITY--

248
00:11:08,400 --> 00:11:09,800
SHOW THE VERSATILITY OF THE JACKET,

249
00:11:09,800 --> 00:11:11,600
SHOW THE VERSATILITY OF THE SKIRT.

250
00:11:13,800 --> 00:11:15,700
SAMANTHA WAS FIGHTING WITH HER JACKET.

251
00:11:15,700 --> 00:11:17,500
- SHE DIDN'T KNOW
- SHE TOOK IT OFF,PUT IT BACK ON.

252
00:11:17,500 --> 00:11:18,900
YOU WOULD NEVER ON A RUNWAY

253
00:11:18,900 --> 00:11:21,100
TAKE YOUR JACKET OFF AND THEN PUT IT BACK ON.

254
00:11:26,300 --> 00:11:29,300
MY IDEA WAS I WANTED TO TURN THE BELT

255
00:11:29,300 --> 00:11:32,500
INTO JUST A NECKLACE OR SOMETHING THAT JUST DRAPED OVER.

256
00:11:36,700 --> 00:11:38,800
MY DRESS WAS SO HARD
BECAUSE IT HAD THIS TRAIN

257
00:11:38,800 --> 00:11:41,600
AND IT'S GOT SO MUCH RUFFLES.IT'S REALLY LONG.

258
00:11:41,600 --> 00:11:45,600
SO I WAS TRYING TO MAKE ALL THOSE RUFFLES BE IN MOTION.

259
00:11:45,600 --> 00:11:48,100
I KEPT TWIRLING AND TWIRLING.
I KNEW I WAS SUPPOSED TO POSE,

260
00:11:48,100 --> 00:11:50,400
BUT I-I-I JUST KEPT MOVING.

261
00:11:52,200 --> 00:11:56,000
THE CHALLENGE WAS TO PRESENT MY OUTFITS IN A WAY

262
00:11:56,000 --> 00:11:58,200
THAT WOULD MAKE THE CLOTHES LOOK GREAT.

263
00:11:58,200 --> 00:11:59,700
ET'S START WITH JOSLYN.

264
00:11:59,700 --> 00:12:02,800
NEVER IN FASHION DO YOU WANNA RESEMBLE

265
00:12:02,800 --> 00:12:04,200
ANY KIND OF A STRIP SHOW.OWA'

266
00:12:04,200 --> 00:12:07,100
XT YOU DON' (O TAKE TO BELT
AND START AYING WITH IT.

267
00:12:07,100 --> 00:12:09,100
YOU EITHER HOLD IT.

268
00:12:09,100 --> 00:12:11,000
YOU'VE GOTTA DO SOMETHING ELEGANT.

269
00:12:11,000 --> 00:12:11,900
ALL RIGHT, SHEENA.

270
00:12:11,900 --> 00:12:14,500
YOU DID A LOT OF TWIRLING.

271
00:12:14,500 --> 00:12:16,300
THE RUFFLES WENT CRAZY.

272
00:12:16,700 --> 00:12:18,300
TOO MUCH MOVEMENT.

273
00:12:18,300 --> 00:12:21,900
SO, MARJORIE,YOU HAD A LITTLE PROBLEM
WITH YOUR DRESS TODAY.

274
00:12:21,900 --> 00:12:23,200
IT FELL DOWN.

275
00:12:23,200 --> 00:12:25,500
EVEN WHEN YOU'RE DOING A RUNWAY SHOW,

276
00:12:25,500 --> 00:12:28,600
YOU DON'T HAVE THE LUXURY OF LOOKING AT YOURSELF.

277
00:12:28,600 --> 00:12:30,800
YOU NEED TO RELY ON YOUR OTHER SENSES.

278
00:12:30,800 --> 00:12:33,000
IF YOU FEEL THE DRESS SLIPPING DOWN,

279
00:12:33,000 --> 00:12:35,900
YOU'RE GONNA PUT YOUR ELBOWS IN AND HOLD THE DRESS.

280
00:12:35,900 --> 00:12:38,000
NOW, ELINA, THIS IS A BEAUTIFUL DRESS.

281
00:12:38,000 --> 00:12:41,200
WHEN YOU CAME OUT,YOU REALLY DID
SOME VERY ELEGANT MOVEMENTS.

282
00:12:41,200 --> 00:12:44,500
I COULD TELL THAT YOU REALLY TRIED
TO SHOW THE SLEEVE,

283
00:12:44,500 --> 00:12:48,000
WHICH IS ONE OF THE MORE IMPORTANT FEATURES OF THIS DRESS.

284
00:12:48,000 --> 00:12:49,900
ALL RIGHT,THE WINNER OF TODAY'S CHALLENGE

285
00:12:49,900 --> 00:12:53,600
WILL BE IN "SEVENTEEN" MAGAZINE IN A HOLIDAY FASHION STORY.

286
00:12:53,600 --> 00:12:57,100
AND THE WINNER IS...

287
00:12:57,100 --> 00:12:58,500
ELINA.

288
00:12:59,200 --> 00:13:01,800
ELINA, YOU GET TO CHOOSE TWO FRIENDS

289
00:13:01,800 --> 00:13:02,900
- FOR THE SHOOT.
- CONGRATULATIONS.

290
00:13:02,900 --> 00:13:05,100
THANK YOU.UM, MARJORIE AND ANALEIGH.

291
00:13:05,100 --> 00:13:09,200
ELINA WON,EG EALLY ED ME OFF

292
00:13:09,200 --> 00:13:12,400
SHE HATES HOLIDAYS.SHE'S AN ATHEIST.

293
00:13:12,400 --> 00:13:14,200
I LOVE CHRISTMAS.I'D LOVE TO DO THAT.

294
00:13:14,200 --> 00:13:16,200
THAT'S GONNA BE SO MUCH FUN TO SHOOT.

295
00:13:16,200 --> 00:13:18,700
I'M EXCITED. I'M SO EXCITED.OH, MY GOD.

296
00:13:18,700 --> 00:13:22,200
IT'S A HUGE DEAL. IT'S "SEVENTEEN" MAGAZINE WINTER SPREAD.

297
00:13:23,700 --> 00:13:27,300
WELCOME TO YOUR "SEVENTEEN" MAGAZINE PHOTO SHOOT.

298
00:13:31,200 --> 00:13:32,800
I JUST KNOW THIS IS GONNA BE A GREAT SHOOT.

299
00:13:32,800 --> 00:13:35,800
WE WERE ABLE TO JUST RELAX AND FORGET ABOUT
THE OTHER GIRLS AT THE HOUSE

300
00:13:35,800 --> 00:13:38,300
AND HAVE A GOOD TIME. I'M VERY HAPPY.

301
00:13:38,300 --> 00:13:40,300
NOTHING TOO, TOO POSE-Y.GREAT.

302
00:13:40,300 --> 00:13:41,900
A LITTLE MORE OF THE CLUTCH.GREAT.

303
00:13:41,900 --> 00:13:44,000
REALLY NATURAL LAUGH. GOOD.

304
00:13:44,000 --> 00:13:45,600
A LITTLE SMILE.

305
00:13:45,600 --> 00:13:47,300
YEAH, WHATEVER FEELS KIND OF NATURAL.

306
00:13:47,300 --> 00:13:49,100
HOLD RIGHT THERE. GOOD.

307
00:13:49,100 --> 00:13:50,100
THESE ARE GREAT.

308
00:13:50,100 --> 00:13:51,400
HOW FUN WAS THAT?

309
00:13:54,800 --> 00:13:56,600
TYRA MAIL!

310
00:13:58,500 --> 00:14:01,600
"A WELL-READ MODELEG IS ALWAYS PROMPT."

311
00:14:01,600 --> 00:14:03,800
"LOVE, TYRA."

312
00:14:03,800 --> 00:14:05,700
- MAYBE COMMERCIAL.
- I THINK IT'S COMMERCIAL.

313
00:14:05,700 --> 00:14:06,700
I HOPE SO.

314
00:14:11,700 --> 00:14:14,600
I KEEP FEELING NAUSEOUS.I DON'T KNOW WHY.

315
00:14:14,600 --> 00:14:16,800
TING FEEL UNDER THE WEATHER,NE

316
00:14:16,800 --> 00:14:20,000
AND THINGS JUST, LIKE, EATING AT ME,EG

317
00:14:20,000 --> 00:14:24,400
AND IT'S COMPLETELY DRAINING ME.VE TO GE

318
00:14:24,400 --> 00:14:26,000
WHAT'S THAT YOU'RE POURING ON THERE?

319
00:14:26,000 --> 00:14:27,300
TERIYAKI SAUCE.

320
00:14:27,300 --> 00:14:28,600
THIS IS FOR TOMORROW NIGHT.

321
00:14:28,600 --> 00:14:30,400
TERIYAKI SAUCE.

322
00:14:30,400 --> 00:14:32,400
THAT COULD POSSIBLY BE OFFENSIVE.

323
00:14:32,400 --> 00:14:34,400
WHAT COULD POSSIBLY BE ASEN--OFFENSIVE?

324
00:14:34,400 --> 00:14:36,100
SOME OF THE ACCENTS YOU DO.

325
00:14:36,100 --> 00:14:37,800
YOU'VE GOTTA BE A LITTLE CAREFUL.

326
00:14:37,800 --> 00:14:39,300
I DON'T THINK I'M OFFENDING ANYBODY.

327
00:14:39,300 --> 00:14:41,700
I'M ASIAN,AND I'M NOT EVEN OFFENDED.

328
00:14:41,700 --> 00:14:43,000
IT'S FOR FUN.

329
00:14:43,800 --> 00:14:45,700
WHAT'S THAT LOOK FOR?

330
00:14:45,700 --> 00:14:47,300
- MARJORIE AND I?
- YEAH.

331
00:14:47,300 --> 00:14:49,600
THAT, FOR ME,WAS THE LAST STRAW.

332
00:14:49,600 --> 00:14:51,800
IF YOU GOT ANYTHING TO SAY, WE'RE RIGHT HERE.

333
00:14:51,800 --> 00:14:53,200
THROUGHOUT THESE PAST DAYS,

334
00:14:53,200 --> 00:14:55,200
YOU GUYS HAVE BEEN A CERTAIN WAY WITH US,

335
00:14:55,200 --> 00:14:58,800
AND SINCE THAT CONVERSATION HAPPENED ON THE BUS,
THINGS CHANGED HERE.

336
00:14:58,800 --> 00:15:01,700
- YES, SINCE YOU INSULTED US?
- UH, BOTTOM LINE IS,

337
00:15:01,700 --> 00:15:03,800
WE ALL COME FROM SOME SORT OF BACKGROUND...

338
00:15:03,800 --> 00:15:06,900
WHETHER WE HAVE BEEN
REPRHETHER WE HAVE BEEN RACIALLY CRITICIZED.

339
00:15:06,900 --> 00:15:08,800
STOP PUTTING IT ON BEING EUROPEAN.

340
00:15:08,800 --> 00:15:10,300
GROW OUT OF IT.
COME OUT THE SHELL.

341
00:15:10,300 --> 00:15:12,300
- MY PERFORMANCE HAS BEEN CRITICIZED
- THAT'S NOT OUR PLACE.

342
00:15:12,300 --> 00:15:14,500
- B-BECAUSE OF MY WAY.
- BUT THAT'S NOT MY PLACE.

343
00:15:14,500 --> 00:15:17,000
I'M NOT GONNA CRITICIZE.
I CAN ASK QUESTIONS,

344
00:15:17,000 --> 00:15:19,500
LIKE, FOR INSTANCE, YOU WON
THE CHALLENGE, CONGRATULATIONS,

345
00:15:19,500 --> 00:15:22,300
BUT AT THE SAME TIME, THIS IS A HOLIDAY SPREAD,
AND IT'S A STORY.

346
00:15:22,300 --> 00:15:24,000
YOU DON'T BELIEVE IN HOLIDAYS.

347
00:15:24,000 --> 00:15:26,800
ARE YOU FEELING CONFLICTED WITH THIS, LIKE, UM...

348
00:15:26,800 --> 00:15:28,000
- NO.
- no?

349
00:15:28,000 --> 00:15:29,400
IT'S A CHRISTMAS SPAD

350
00:15:29,400 --> 00:15:31,400
ING,RE DO ATHER.

351
00:15:31,400 --> 00:15:32,800
- YOU KNOW WHAT I MEAN?
- SHE'S CALLING YOU A HYPOCRITE.

352
00:15:32,800 --> 00:15:34,900
BUT I'M ASKING YOU,WHAT ARE YOUR BELIEFS ON THAT?

353
00:15:34,900 --> 00:15:38,000
OKAY, YOU KNOW WHAT? HONESTLY, THIS IS THE SILLIEST THING
I'VE EVER HEARD IN MY ENTIRE LIFE. MY PERSONAL--

354
00:15:38,000 --> 00:15:40,400
HOW IS IT SILLY?BECAUSE YOU CAN'T ANSWER IT.

355
00:15:40,400 --> 00:15:41,800
BECAUSE YOU DON'T KNOW HOW TO ANSWER IT.

356
00:15:41,800 --> 00:15:42,600
ARE YOU KIDDING ME?

357
00:15:42,600 --> 00:15:44,200
THEY'RE OBVIOUSLY BITTER ABOUT NOT WINNING,

358
00:15:44,200 --> 00:15:46,400
AND THEY'RE TRYING TO PINPOINT ELINA

359
00:15:46,400 --> 00:15:51,600
AS, YOU KNOW, AS KIND OFXT
A BENEFICIARY OF SOMETHING SHE DOESN'T DESERVE.

360
00:15:52,200 --> 00:15:53,800
- YOU 5?
- ARE YOU FINISHED?

361
00:15:53,800 --> 00:15:55,200
ARE YOU FINISHED?

362
00:16:14,000 --> 00:16:16,200
THERE WAS AN ARGUMENT IN THE HOUSE.

363
00:16:16,200 --> 00:16:18,300
- ARE YOU FINISHED?
- ARE YOU FINISHED?

364
00:16:18,300 --> 00:16:21,300
I DON'T THINK AN UNDERSTANDING CAN BE REACHED
WITH THE OTHER GIRLS.

365
00:16:21,300 --> 00:16:23,900
EITHER WAY, IT DOESN'T MATTER,
BECAUSE I'M HERE FOR MYSELF.

366
00:16:23,900 --> 00:16:26,500
I'M HERE FOR THE COMPETITION.I'M HERE TO WIN.

367
00:16:27,100 --> 00:16:29,100
THERE'S A HUGE DIVIDE IN THE HOUSE,

368
00:16:29,100 --> 00:16:31,600
AND IT'S ALMOST LIKE GOOD VERSUS EVIL.

369
00:16:31,600 --> 00:16:34,100
THAT'S WHAT THIS COMPETITION HAS COME DOWN TO.

370
00:16:37,700 --> 00:16:39,700
THIS MORNING,I'M NOT FEELING GOOD AT ALL.

371
00:16:39,700 --> 00:16:42,400
I STARTED OUT VERY STRONG IN THIS COMPETITION,

372
00:16:42,400 --> 00:16:44,700
@@D LATELY, I'VE JUST BEEN SLIPPING.

373
00:16:44,700 --> 00:16:45,800
ME GETTING SICK,

374
00:16:45,800 --> 00:16:48,100
THAT MEANS I'M JUST GONNA HAVE TO WORK HARDER.

375
00:16:52,200 --> 00:16:54,600
WE ARRIVE AT THIS GORGEOUS HOUSE IN BEL-AIR.

376
00:16:54,600 --> 00:16:56,900
- HOW YOU GUYS DOING?
- GOOD.

377
00:16:56,900 --> 00:16:58,200
MR. JAY WAS THERE,

378
00:16:58,200 --> 00:16:59,900
AND THERE WAS SOMEONE SITTING IN THE CHAIR,

379
00:16:59,900 --> 00:17:02,200
BUT WE WERE ALL KIND OF LIKE,
"WHO THE HECK IS THAT?"

380
00:17:02,200 --> 00:17:03,300
YOU GUYS KNOW WHAT YOU'RE DOING TODAY?

381
00:17:03,300 --> 00:17:04,800
- COMMERCIAL.
- COMMERCIAL FOR?

382
00:17:04,800 --> 00:17:07,100
- COVERGIRL.
- COVERGIRL.

383
00:17:07,900 --> 00:17:09,800
WE HAVE THE NEWEST COVERGIRL WITH US

384
00:17:09,800 --> 00:17:11,900
WHITNEY THOMPSON.

385
00:17:11,900 --> 00:17:13,100
HI, GIRLS.

386
00:17:13,100 --> 00:17:16,400
WHITNEY, CYCLE 10 WINNER
OF "AMERICA'S NEXT TOP MODEL," POPS UP.

387
00:17:16,400 --> 00:17:17,800
I MEAN, THIS--THIS IS HUGE.

388
00:17:17,800 --> 00:17:22,700
TODAY'S COMMERCIAL IS FEATURING THE NEW COVERGIRL
EYE ENHANCER BLAST COLLECTION SHADOWS

389
00:17:22,700 --> 00:17:26,300
WITH 23 BIG, BOLDLOOK-AT-ME SHAD TO GET YOU NOTICED.

390
00:17:26,300 --> 00:17:28,400
AND WHEN YOU PAIR IT WITH LhBlast LCARA,

391
00:17:28,400 --> 00:17:30,800
IT MAKES FOR STATEMENT MAKING-EYES.

392
00:17:30,800 --> 00:17:33,800
NOW WE'VE ALL SEEN THE GIRLS
ON "AMERICA'S NEXT TOP MODEL."

393
00:17:33,800 --> 00:17:36,600
WHAT HAPPENS, WHITNEY,WHEN I GIVE THEM THE SCRIPT?

394
00:17:36,600 --> 00:17:38,700
UH, WE HAPPEN TO FORGET OUR LINES.

395
00:17:39,200 --> 00:17:41,200
WITH THE NEW... UGH.

396
00:17:41,200 --> 00:17:45,000
LIQUID...

397
00:17:45,000 --> 00:17:46,100
OH, GOD.

398
00:17:46,100 --> 00:17:49,200
WELL, TODAY, YOU GIRLS
ARE GONNA HAVE A TelePrompTer.

399
00:17:49,200 --> 00:17:51,900
NOW IT SOUNDS EASY,
BUT IT'S ACTUALLY NOT THAT EASY,

400
00:17:51,900 --> 00:17:54,000
BECAUSE IF YOU HAVEN'T STUDIED YOUR SCRIPT

401
00:17:54,000 --> 00:17:57,000
AND BROUGHT A NATURAL CONVERSATION TO THE COPY,

402
00:17:57,000 --> 00:18:00,300
THAT MEANS YOU CAN SOUND LIKE YOU'RE JUST READING,
READING, READING, RUN-ON,RUN-ON, RUN-ON, RUN-ON.

403
00:18:00,300 --> 00:18:01,400
IT DOESN'T SOUND CUTE.

404
00:18:01,400 --> 00:18:03,000
WE HAVE FRANK OCKENFELS HERE.

405
00:18:03,000 --> 00:18:06,900
HE HAS DIRECTED COMMERCIALS FOR NIKE AND CONVERSE.

406
00:18:06,900 --> 00:18:08,900
THIS IS THE MAN RIGHT HERE.

407
00:18:08,900 --> 00:18:10,300
YEAH, WE HOPE YOU HAVE
A LOT OF FUN WITH IT TODAY,

408
00:18:10,300 --> 00:18:13,600
AND, UH, SMILE A LOT.

409
00:18:18,100 --> 00:18:20,400
COVERGIRL PUTS THE "POW" IN POWDER.

410
00:18:20,400 --> 00:18:21,700
WORSE.

411
00:18:21,700 --> 00:18:23,300
LIFE'S A BLAST.

412
00:18:23,300 --> 00:18:24,500
I LOVE YOUR HAIR THIS LENGTH ON YOU.

413
00:18:24,500 --> 00:18:25,600
- IT LOOKS REALLY GOOD.
- OH, MINE?

414
00:18:25,600 --> 00:18:26,200
YEAH.

415
00:18:26,200 --> 00:18:29,400
I'M SHEENA. SO GET THIS.
I WAS BOTTOM TWO LAST WEEK...

416
00:18:29,400 --> 00:18:32,000
AND I KNOW YOU KNOW
HOW IT FEELS TO BE THERE, SO...

417
00:18:32,000 --> 00:18:33,500
I'M SURE YOU'LL BE FINE.

418
00:18:33,500 --> 00:18:36,900
THIS COMMERCIAL IS A REALLY GOOD WAY TO REDEEM MYSELF

419
00:18:36,900 --> 00:18:39,600
AND SHOW THAT, YOU KNOW,
I'M NOT READY TO GO HOME YET.

420
00:18:41,000 --> 00:18:42,500
- HOW YOU FEELING?
- GREAT.

421
00:18:42,500 --> 00:18:44,800
IN THE REAL WORLD, YOU GET,
LIKE, A COUPLE OF TAKES.

422
00:18:44,800 --> 00:18:47,200
FOR THE PURPOSES OF THIS COMPETITION,
YOU GUYS ALL GET FIVE.

423
00:18:47,600 --> 00:18:49,300
YOU START OVER HERE,
LYING ACROSS THE COUCH.

424
00:18:49,300 --> 00:18:50,100
OKAY.

425
00:18:50,100 --> 00:18:51,100
TelePrompTer's RIGHT THERE.

426
00:18:51,100 --> 00:18:52,800
WHEN YOU GET DONE SAYING THE SECOND LINE,

427
00:18:52,800 --> 00:18:54,700
YOU SHOULD BE MOVING OFF THE COUCH

428
00:18:54,700 --> 00:18:56,300
AND WALKING ACROSS THIS WAY.

429
00:18:56,300 --> 00:18:57,500
CAMERA'S GONNA COME WITH YOU

430
00:18:57,500 --> 00:19:00,000
AND THEN YOU KIND OF END UP OVER HERE, SAY A COUPLE LINES.

431
00:19:00,000 --> 00:19:01,400
YOU'RE STEPPING UP 'CAUSE YOU'RE GOING OUT FOR THE NIGHT,

432
00:19:01,400 --> 00:19:02,400
AND YOU'RE HEADING OUT THE DOOR.

433
00:19:02,400 --> 00:19:03,400
OKAY.

434
00:19:03,400 --> 00:19:04,800
TAKE ONE. ACTION.

435
00:19:05,500 --> 00:19:08,800
LIFE'S A BLAST.ARE YOU READY FOR IT?

436
00:19:08,800 --> 00:19:11,600
WELL, GET AN EYEFUL OF THIS--

437
00:19:11,600 --> 00:19:14,600
NEW COVERGIRL BLAST COLLECTION SHADOWS.

438
00:19:14,600 --> 00:19:18,700
A BLAST OF BIG, BEAUTIFUL LOOK-AT-ME COLOR

439
00:19:18,700 --> 00:19:22,700
TO HIGHLIGHT YOUR BIG, BOLD LashBlast LASHES.

440
00:19:22,700 --> 00:19:25,200
NEW EYE ENHANCERS BLAST COLLECTION SHADOWS,

441
00:19:25,200 --> 00:19:28,900
FROM EASY, BREEZY, BEAUTIFUL COVERGIRL.

442
00:19:28,900 --> 00:19:31,700
SAMANTHA BROUGHT HER GENUINE ENERGY TO THE SET,

443
00:19:31,700 --> 00:19:32,700
AND I LOVED IT.

444
00:19:32,700 --> 00:19:34,100
THANK YOU, SAM.

445
00:19:35,000 --> 00:19:37,000
WITH EYE ENHANCERS--

446
00:19:37,000 --> 00:19:39,700
NEW EYE ENHANCERS BLAST COLLECTION...

447
00:19:39,700 --> 00:19:41,800
I FEEL TERRIBLE.

448
00:19:41,800 --> 00:19:46,000
I JUST CANNOT SIT HERE
AND CONCENTRATE ON MY LINES

449
00:19:46,000 --> 00:19:48,900
BECAUSE I'M SO NAUSEOUS.

450
00:19:50,000 --> 00:19:52,400
MAKE IT CONVERSATIONAL,
MAKE IT OPEN, MAKE IT YOU.

451
00:19:52,700 --> 00:19:55,200
LIFE'S A BLAST.ARE YOU READY FOR IT?

452
00:19:55,200 --> 00:19:56,800
WELL, GET AN EYEFUL OF THIS--

453
00:19:56,800 --> 00:19:59,300
NEW COVERGIRL BLAST COLLECTION SHADOWS--

454
00:19:59,300 --> 00:20:02,200
A BLAST OF BIG, BEAUTIFUL LOOK-AT-ME COLOR--

455
00:20:02,200 --> 00:20:03,000
AND CUT.

456
00:20:03,000 --> 00:20:04,700
I REALLY HATE TO SAY THIS.

457
00:20:04,700 --> 00:20:07,100
IT'S STILL CONTROLLED.
I THINK YOU MADE A GOOD ATTEMPT.

458
00:20:07,100 --> 00:20:09,300
- I'M TIRED OF HEARING IT.
- I KNOW--I KNOW YOU'RE TIRED OF HEARING IT.

459
00:20:09,300 --> 00:20:11,400
I'M TIRED OF SAYING IT.BUT I GOTTA BE HONEST WITH YOU.

460
00:20:11,400 --> 00:20:14,200
YOU HAVE TO COMMUNICATE THE LINES, NOT READ THEM.

461
00:20:14,200 --> 00:20:14,900
OKAY.

462
00:20:14,900 --> 00:20:16,900
WHEN I'M TALKING TO YOU,I COULD MOVE MY HANDS.

463
00:20:16,900 --> 00:20:18,800
I COULD MOVE. I PAUSE.

464
00:20:19,200 --> 00:20:20,600
I MAKE IT REAL.

465
00:20:20,600 --> 00:20:22,400
COVERGIRL PUTS THE "POW" IN POWDER

466
00:20:22,400 --> 00:20:26,700
WITH 23 HEAD-TURNING SHADES YOU CAN MIX, MATCH
AND EXPRESS YOURSELF WITH.

467
00:20:26,700 --> 00:20:29,600
IF, ELINA,EVERY DAY THAT I SPOKE TO YOU LIKE THIS...

468
00:20:29,600 --> 00:20:30,800
- DO YOU LIKE THAT?
- NO.

469
00:20:31,000 --> 00:20:33,100
COVERGIRL PUTS THE "POW" IN POWDER...

470
00:20:33,100 --> 00:20:35,400
THE HARDEST THING FOR ME
WAS TRYING TO BRING UP MY ARMS

471
00:20:35,400 --> 00:20:37,300
AND SHOW THE PRODUCT AT THE SAME TIME.

472
00:20:37,300 --> 00:20:39,700
I TRIED TO HAVE AS MUCH FUN AS I COULD WITH IT,AND I THINK I DID.

473
00:20:39,700 --> 00:20:40,900
I THINK I HAD--I HAD FUN.

474
00:20:40,900 --> 00:20:42,100
ACTION.

475
00:20:42,100 --> 00:20:46,200
LIFE'S A BLAST.ARE YOU READY FOR IT?

476
00:20:46,700 --> 00:20:50,300
WELL, COVERGIRL PUTS THE "POW" IN POWDER.

477
00:20:50,300 --> 00:20:52,500
- WHERE YOU GOING, SWEETIE?
- SORRY.DOWN THE STAIRS, RIGHT?

478
00:20:52,500 --> 00:20:54,400
YES. YEAH, I KNOW, BUT...YOU PASSED THEM.

479
00:20:54,400 --> 00:20:56,700
YEAH, YOU SEE,WE'RE IN YOUR SHOT NOW.

480
00:20:56,700 --> 00:20:59,000
COVERGIRL PUTS THE "POW" IN POWDER

481
00:20:59,000 --> 00:21:01,000
WITH 23 HEAD-TURNING SHADES.

482
00:21:01,000 --> 00:21:04,800
YOU CAN MIX, MASS--MATCH AND EXPRESS YOURSELF WITH, UH--

483
00:21:04,800 --> 00:21:05,400
CUT.

484
00:21:05,400 --> 00:21:07,400
McKEY IS JUST A LITTLE CLUELESS,

485
00:21:07,400 --> 00:21:09,600
AND CLUELESS DOES NOT MAKE A COVER GIRL.

486
00:21:11,600 --> 00:21:14,900
LIFE'S A BLAST.ARE YOU READY FOR IT?

487
00:21:14,900 --> 00:21:16,800
WELL, GET AN EYEFUL OF THIS--

488
00:21:16,800 --> 00:21:19,000
COVERGIRL PUTS THE "POW" IN POWDER

489
00:21:19,000 --> 00:21:21,000
WITH 23 HEAD-TURNING SHADES

490
00:21:21,000 --> 00:21:24,000
YOU CAN MIX, MATCH AND EXPRESS YOURSELF WITH.

491
00:21:24,000 --> 00:21:25,500
I REALLY FEEL LIKE YOU'RE TALKTOAME.

492
00:21:25,500 --> 00:21:28,900
I'M ENGAGED., WOW.ER TALKING TO -S

493
00:21:28,900 --> 00:21:31,000
ANALEIGH DID SUCH AN AMAZING JOB.

494
00:21:31,000 --> 00:21:32,100
SHE WAS BELIEVABLE.

495
00:21:32,100 --> 00:21:35,600
AND WHEN SHE SPEAKS,
SHE BECOMES WAY MORE BEAUTIFUL

496
00:21:35,600 --> 00:21:38,000
THAN JUST A SNAPSHOT OF HER.

497
00:21:46,200 --> 00:21:49,000
- I'M SO SORRY.I THREW UP.
- NO, IT'S OKAY.

498
00:21:49,000 --> 00:21:50,200
- DON'T WORRY.
- I KNOW.

499
00:21:50,200 --> 00:21:52,700
- SHE DOESN'T EVEN HAVE ANY--
- HEY, YOU GUYS.

500
00:21:52,700 --> 00:21:53,700
ARE YOU DONE?

501
00:21:55,100 --> 00:21:57,200
I'M SITTING IN HAIR AND MAKEUP,AND THE NEXT THING I SEE IS

502
00:21:57,200 --> 00:21:59,300
JOSLYN PUKING UP A STORM.AND IT'S LIKE,

503
00:21:59,300 --> 00:22:01,800
IS SHE GONNA BE OKAY?IS SHE GONNA BE ABLE
TO DO THE SHOOT?

504
00:22:03,700 --> 00:22:05,200
EVERYONE SETTLE, PLEASE.

505
00:22:05,200 --> 00:22:07,600
SHE ALWAYS LETS HER NERVES
GET IN THE WAY.

506
00:22:07,600 --> 00:22:08,600
ACTION.

507
00:22:08,600 --> 00:22:10,900
LIFE'S A BLAST.ARE YOU READY FOR IT?

508
00:22:10,900 --> 00:22:12,600
WELL, GET AN EYEFUL OF THIS--

509
00:22:12,600 --> 00:22:15,100
COVERGIRL PUTS THE "POW" IN POWDER

510
00:22:15,100 --> 00:22:17,100
WITH 23 HEAD-TURNING SHADES

511
00:22:17,100 --> 00:22:19,200
YOU CAN MIX, MATCH AND EXPRESS YOURSELF WITH.

512
00:22:19,200 --> 00:22:20,400
OKAY. CUT.

513
00:22:20,400 --> 00:22:21,900
YOU HAVE FOUR MORE TAKES.

514
00:22:21,900 --> 00:22:24,500
AND WHAT I WANT YOU TO DO
IS JUST TO BE IN...

515
00:22:24,500 --> 00:22:26,300
- WHAT'S WRONG?
- I'M OKAY.

516
00:22:26,300 --> 00:22:27,000
ARE YOU SURE?

517
00:22:28,300 --> 00:22:31,400
WHAT'S WRONG? NO, TELL ME.

518
00:22:31,900 --> 00:22:33,600
I THINK I'M JUST...NO.

519
00:22:33,600 --> 00:22:34,800
EMOTIONAL?

520
00:22:35,500 --> 00:22:38,100
I FEEL LIKE WE CODDLE YOU TO CALM YOU DOWN.

521
00:22:38,100 --> 00:22:41,200
AND THE CLOSER AND CLOSER WE GET
TO THE END OF THIS COMPETITION,

522
00:22:41,200 --> 00:23:01,200
THE JUDGES AND MYSELF ARE GONNA
GET PICKIER AND PICKIER.

523
00:33:16,100 --> 00:22:46,700
SO WE CAN ONLY HOLD YOU UP
FOR SO LONG.

524
00:22:46,700 --> 00:22:48,100
YOU READY?

525
00:22:48,100 --> 00:22:49,100
YES.

526
00:22:49,800 --> 00:22:52,000
AND... ACTION.

527
00:22:52,000 --> 00:22:54,800
NEW EYE ENHANCERS
BLAST COLLECTION SHADOWS,

528
00:22:54,800 --> 00:22:58,000
FROM EASY, BREEZY, BEAUTIFUL COVERGIRL.

529
00:22:58,000 --> 00:22:59,600
MUCH BETTER.

530
00:22:59,600 --> 00:23:01,300
YOU BETTER TRY REALLY HARD.

531
00:23:01,300 --> 00:23:03,000
YOU DON'T THINK I GOT IT,MASHA?

532
00:23:03,000 --> 00:23:03,700
I GOT IT.

533
00:23:03,700 --> 00:23:04,500
ACTION!

534
00:23:04,500 --> 00:23:07,300
LIFE'S A BLAST.ARE YOU READY FOR IT?

535
00:23:07,300 --> 00:23:09,300
WELL, GET AN EYEFUL OF THIS--

536
00:23:09,300 --> 00:23:11,600
NEW COVERGIRL BLAST COLLECTION SHADOWS...

537
00:23:11,600 --> 00:23:13,400
I WAS FEELING WHAT I WAS SAYING

538
00:23:13,400 --> 00:23:15,800
AND I BELIEVED IN THE PRODUCT.AND I DID.

539
00:23:15,800 --> 00:23:16,900
I REALLY LIKE TURQUOISE.

540
00:23:16,900 --> 00:23:20,400
BORING IS PAST,AND NOW LIFE'S A BLAST,

541
00:23:20,400 --> 00:23:23,800
FROM EASY, BREEZY, BEAUTIFUL COVERGIRL.

542
00:23:23,800 --> 00:23:25,900
EVERY MOTION HAD A FLUID POINT TO IT,

543
00:23:25,900 --> 00:23:27,300
AND YOU DIDN'T FEEL AT ALL

544
00:23:27,300 --> 00:23:29,100
LIKE SHE WAS STOPPING OR LOOKING AT HER FEET

545
00:23:29,100 --> 00:23:31,300
OR, YOU KNOW, FALLING OVER HER WORDS.

546
00:23:31,300 --> 00:23:32,700
WE'RE GONNA KEEP IT REALLY QUICK...

547
00:23:32,700 --> 00:23:34,500
SO YOU CAN DO THIS AND BE IN AND OUT.

548
00:23:34,500 --> 00:23:37,300
IF YOU FEEL SICK OR YOU'RE GONNA BE SICK AT ANY POINT,

549
00:23:37,300 --> 00:23:39,400
STOP ME.IT'S NOT GONNA COUNT AGAINST YOU.

550
00:23:39,400 --> 00:23:40,700
WHEN I WALKED ON SET,

551
00:23:40,700 --> 00:23:42,400
I WAS STILL VERY SICK,

552
00:23:42,400 --> 00:23:44,600
BUT I'M NOT GONNA GIVE UP.

553
00:23:44,600 --> 00:23:45,900
NEW COVERGIRL

554
00:23:45,900 --> 00:23:48,500
BLAST COLLECTION SHADOWS.

555
00:23:48,500 --> 00:23:50,100
BORING IS THE PAST,

556
00:23:50,100 --> 00:23:51,300
AND NOW...

557
00:23:51,300 --> 00:23:53,200
IT'S A LITTLE...

558
00:23:53,200 --> 00:23:55,100
YEAH, OKAY.

559
00:23:55,100 --> 00:23:57,200
BORING IS PAST,

560
00:23:57,200 --> 00:24:00,100
AND NOW LIFE'S A BLAST.

561
00:24:00,100 --> 00:24:01,800
DID THEY SERVE HAM AND CHEESE BETWEEN TAKES?

562
00:24:02,500 --> 00:24:03,600
'CAUSE THAT'S WHAT I JUST SAW.

563
00:24:03,600 --> 00:24:05,300
OH, I KNOW. IT WAS TERRIBLE.

564
00:24:05,300 --> 00:24:07,900
COVERGIRL PUTS THE "POW" IN POWDER

565
00:24:07,900 --> 00:24:11,100
WITH 23 HEAD-TURNING SHADES...

566
00:24:11,100 --> 00:24:12,400
SHE SO OVERDID IT.

567
00:24:12,400 --> 00:24:16,500
FROM EASY, BREEZY, BEAUTIFUL COVERGIRL.

568
00:24:16,500 --> 00:24:18,000
JOSLYN WAS REALLY SICK.

569
00:24:18,000 --> 00:24:19,400
IT READ IN HER EYES.

570
00:24:19,400 --> 00:24:22,000
AND HER FIRST AND SECOND TAKES WERE

571
00:24:22,000 --> 00:24:23,300
... A LITTLE MUCH,

572
00:24:23,300 --> 00:24:25,000
AND HER LAST TAKE WAS FLAT.

573
00:24:25,000 --> 00:24:26,700
- THAT'S IT, BABY!
- THAT'S A WRAP! THAT'S A WRAP!

574
00:24:26,700 --> 00:24:28,000
OKAY, YOU GET YOUR HUG NOW.

575
00:24:31,300 --> 00:24:33,400
TYRA MAIL!

576
00:24:35,200 --> 00:24:36,900
"TOMORROW,YOU WILL MEET WITH THE JUDGES.

577
00:24:36,900 --> 00:24:41,200
ONLY SIX WILL CONTINUE ONA'IN THE HOPE OF BECOMING
AMERICA'S NEXT TOP MODEL."

578
00:24:41,200 --> 00:24:43,600
"LOVE, TYRA."

579
00:24:43,600 --> 00:24:46,700
AT THIS POINT, I DO WANT
EITHER MARJORIE OR ELINA TO GO.

580
00:24:46,700 --> 00:24:50,500
THOSE TWO SEEM TO BE THE MOST
SPITEFUL AND HATEFUL TOWARDS ME.

581
00:24:54,200 --> 00:24:56,300
OH, NO.

582
00:24:56,300 --> 00:24:57,700
I'M ON THE CHOPPING BLOCK.

583
00:24:57,700 --> 00:24:59,200
MARJORIE...

584
00:24:59,200 --> 00:25:00,000
YOU'RE OKAY.

585
00:25:00,000 --> 00:25:01,800
NO ONE ELSE BROKE DOWN, YOU KNOW?

586
00:25:01,800 --> 00:25:03,500
JOSLYN CAN'T-- CAN'T BE PENALIZED--

587
00:25:03,500 --> 00:25:05,800
PENALIZED FOR BEING SICK.

588
00:25:05,800 --> 00:25:07,700
I DID TERRIBLY DURING THE CHALLENGE,

589
00:25:07,700 --> 00:25:09,300
DIDN'T DO WELL DURING THE COMMERCIAL.

590
00:25:09,300 --> 00:25:11,000
I'M REALLY SCARED. I DON'T WANT TO GO HOME.

591
00:25:11,000 --> 00:25:13,700
I DON'T WANT TO BE ON THE CHOPPING BLOCK.

592
00:25:20,800 --> 00:25:22,300
HELLO, LADIES.

593
00:25:22,300 --> 00:25:23,800
HI.

594
00:25:23,800 --> 00:25:27,000
YOU KNOW OUR PRIZES.THE FIRST IS A CONTRACT WITH

595
00:25:27,000 --> 00:25:29,800
ONE OF THE TOP MODELING AGENCIES
IN THE ENTIRE WORLD--

596
00:25:29,800 --> 00:25:31,400
ELITE MODEL MANAGEMENT,

597
00:25:31,400 --> 00:25:34,900
A COVER AND A 6-PAGE SPREAD IN "SEVENTEEN" MAGAZINE,

598
00:25:34,900 --> 00:25:40,900
AND A $100,000 CONTRACT WITH COVERGIRL COSMETICS.

599
00:25:40,900 --> 00:25:42,800
NOW IT'S TICE FOR OUR JUDGES.ERA'

600
00:25:42,800 --> 00:25:46,000
ERFIRST IS THE SEXY, NOTED FASHION PHOTOGRAPHER

601
00:25:46,000 --> 00:25:47,200
NIGEL BARKER...

602
00:25:47,200 --> 00:25:49,200
MISS J. ALEXANDER,

603
00:25:49,200 --> 00:25:52,700
RUNWAY DIVA COACH EXTRAORDINAIRE...

604
00:25:52,700 --> 00:25:54,300
PAULINA PORIZKOVA,

605
00:25:54,300 --> 00:25:56,100
LEGENDARY SUPERMODEL...

606
00:25:56,100 --> 00:25:57,900
AND AS YOU CAN SEE,OUR GUEST JUDGE--

607
00:25:57,900 --> 00:25:59,600
MR. FRANK OCKENFELS,

608
00:25:59,600 --> 00:26:01,600
THE DIRECTOR OF OVERGIRL COMMERCIAL.

609
00:26:01,600 --> 00:26:04,200
TIME TO START OUR JUDGING.

610
00:26:04,200 --> 00:26:06,900
LET'S BRING OUR MINDS BACK TO CYCLE 6.

611
00:26:06,900 --> 00:26:09,500
WE HAD A JUDGING TEST

612
00:26:09,500 --> 00:26:10,800
AND THE TOP MODEL HAS GOTTA KNOW

613
00:26:10,800 --> 00:26:15,000
HOW TO WORK EVERY SINGLE TYPE OF SHOE
IN THE WORLD THAT THERE IS.

614
00:26:15,000 --> 00:26:18,200
SO I WENT OUT AND FOUND THESE.

615
00:26:21,700 --> 00:26:25,600
SO GO ON BACK AND PUT ON YOUR CLOGS, GIRLS.

616
00:26:44,400 --> 00:27:04,400
WORK!

617
00:27:05,700 --> 00:27:07,600
OH! GOD!

618
00:27:08,200 --> 00:27:09,900
WELL, YOU GUYS,IT IS REALLY IMPORTANT

619
00:27:09,900 --> 00:27:12,900
TO KNOW HOW TO WALK IN ALL TYPES OF SHOES,

620
00:27:12,900 --> 00:27:15,400
ESPECIALLY WOODEN CLOGS

621
00:27:15,400 --> 00:27:17,800
BECAUSE WE ARE GOING OVERSEAS, HONEY,

622
00:27:17,800 --> 00:27:21,000
TO AMSTERDAM!

623
00:27:27,200 --> 00:27:28,700
HOLLAND!

624
00:27:28,700 --> 00:27:32,600
ASWIRL.

625
00:27:33,100 --> 00:27:34,800
ASWIRL!

626
00:27:35,000 --> 00:27:35,800
HOLLAND!

627
00:27:35,800 --> 00:27:37,100
YES! SWIRL, GIRLS!

628
00:27:37,100 --> 00:27:38,900
ASWIRL! ASWIRL!

629
00:27:38,900 --> 00:27:40,900
WE GOING TO HOLLAND!

630
00:27:40,900 --> 00:27:43,000
HOLLAND!

631
00:27:43,000 --> 00:27:47,000
NOT EVERYONE'S GOING TO HOLLAND.

632
00:27:50,500 --> 00:27:53,300
SO NOW IT'S TIME TO JUDGE
THE COVERGIRL COMMERCIAL.

633
00:27:53,300 --> 00:27:54,600
SAMANTHA, YOU'RE FIRST.

634
00:27:55,900 --> 00:27:57,800
HERE YOU ARE.

635
00:27:59,700 --> 00:28:01,400
LIFE'AST.

636
00:28:01,400 --> 00:28:02,700
ARE YOU READY FOR IT?

637
00:28:02,700 --> 00:28:05,800
NEW COVERGIRL BLAST COLLECTION SHADOWS

638
00:28:05,800 --> 00:28:09,300
TO HIGHLIGHT YOUR BIG, BOLD Lasht LASHES,

639
00:28:09,300 --> 00:28:11,700
FROM EASY, BREEZY, BEAUTIFUL

640
00:28:11,700 --> 00:28:12,800
COVERGIRL.

641
00:28:12,800 --> 00:28:14,800
SO, JUDGES,THEY ALL HAD A TelePrompTer

642
00:28:14,800 --> 00:28:17,300
AND THAT'S WHAT I THINK IS THE DOWNFALL FOR YOU,

643
00:28:17,300 --> 00:28:18,900
IS HAVING A TelePrompTer

644
00:28:18,900 --> 00:28:21,300
AND STILL NOT BEING ABLE TO MAKE IT YOUR OWN.

645
00:28:21,300 --> 00:28:22,500
SHE DIDN'T ANNUNCIATE THE WORDS.

646
00:28:22,500 --> 00:28:24,400
IT WAS...ALL LIKE...

647
00:28:24,400 --> 00:28:26,200
YEAH, "LashBlast" TO ME SOUNDED LIKE...

648
00:28:26,200 --> 00:28:27,400
LashBlast.

649
00:28:27,400 --> 00:28:28,900
LashBlast LASHES.

650
00:28:28,900 --> 00:28:29,900
WH-WHAT?

651
00:28:30,800 --> 00:28:32,500
- THANK YOU.
- THANK YOU.

652
00:28:32,500 --> 00:28:34,700
UP NEXT--MARJORIE.

653
00:28:34,700 --> 00:28:35,700
HELLO.

654
00:28:35,700 --> 00:28:38,600
COVERGIRL COMMERCIAL WAS, GIRL.

655
00:28:38,600 --> 00:28:40,900
NEW COVERGIRL BLAST COLLECTION SHADOWS--

656
00:28:40,900 --> 00:28:43,600
A BLAST OF BIG, BEAUTIFUL LOOK-AT-ME COLOR

657
00:28:43,600 --> 00:28:46,200
TO HIGHLIGHT YOUR BIG, BOLD LashBlast LASHES.

658
00:28:46,200 --> 00:28:47,300
IT'S A LOOK-AT-ME LOOK,

659
00:28:47,300 --> 00:28:48,500
A NONSTOP STYLE.

660
00:28:48,500 --> 00:28:50,900
BORING IS PAST,AND NOW LIFE'S A BLAST.

661
00:28:50,900 --> 00:28:53,600
NEW EYE ENHANCERS BLAST COLLECTION SHADOWS,

662
00:28:53,600 --> 00:28:56,800
COVERGIRL. BREEZY, BEAUTIFUL covergirl

663
00:28:57,800 --> 00:28:59,000
WHAT WAS THE RUSH?

664
00:28:59,000 --> 00:29:02,300
I THINK THAT IT WAS RATHER QUICK.

665
00:29:02,300 --> 00:29:06,700
YOUR HEAD JUST...WAS UNCONTROLLABLE.

666
00:29:10,900 --> 00:29:12,000
OKAY, THANKS.

667
00:29:12,200 --> 00:29:13,800
UP NEXT IS ANALEIGH.

668
00:29:13,800 --> 00:29:15,100
- HELLO.
- HELLO, ANALEIGH,

669
00:29:15,100 --> 00:29:16,900
LOOKING VERY NICE.

670
00:29:18,400 --> 00:29:20,000
LIFE'S A BLAST.

671
00:29:20,000 --> 00:29:22,500
NEW COVERGIRL BLAST COLLECTION SHADOWS--

672
00:29:22,500 --> 00:29:25,700
A BLAST OF BIG, BEAUTI, LOOK-AT-ME COLOR-SIG

673
00:29:25,700 --> 00:29:29,400
HLIGHT YOUR BIG, BOL LashBlast LASHES.ER

674
00:29:29,400 --> 00:29:30,700
NOW LIFE'S A BLAST,

675
00:29:30,700 --> 00:29:34,400
FROM EASY, BREEZY, BEAUTIFUL

676
00:29:34,400 --> 00:29:35,300
COVERGIRL.

677
00:29:35,900 --> 00:29:38,200
GIRL, THAT IS THE BEST COVERGIRL COMMERCIAL

678
00:29:38,200 --> 00:29:41,800
I HAVE SEEN IN THE HISTORY OF "AMERICA'S NEXT TOP MODEL"!

679
00:29:41,800 --> 00:29:43,300
I'M BLOWN AWAY.

680
00:29:44,200 --> 00:29:45,200
IT'S REALLY GOOD.

681
00:29:45,200 --> 00:29:47,000
SHE'S THE ONLY ONE WHO USED THE PRODUCT.

682
00:29:47,000 --> 00:29:48,900
SHE HAD IT IN HER HAND AND SHE WAS PREPARED.

683
00:29:48,900 --> 00:29:50,500
THANK YOU.
- thank you

684
00:29:51,000 --> 00:29:52,500
UP NEXT IS JOSLYN.

685
00:29:52,500 --> 00:29:54,700
- HI!
- HEY, GIRL!

686
00:29:54,700 --> 00:29:57,700
NEW COVERGIRL BLAST COLLECTION SHADOWS

687
00:29:57,700 --> 00:30:02,600
TO HIGHLIGHT YOUR BIG, BOLD Last LASHES..S EG

688
00:30:02,600 --> 00:30:04,700
BORING IS PAST,

689
00:30:04,700 --> 00:30:07,800
AND NOW LIFE'S A BLAST.

690
00:30:07,800 --> 00:30:11,200
NEW EYE ENHANCERS BLAST COLLECTION SHADOWS,

691
00:30:11,200 --> 00:30:14,000
FROM EASY, BREEZY, BEAUTIFUL

692
00:30:14,000 --> 00:30:15,200
IRL.

693
00:30:15,600 --> 00:30:17,600
THERE'S A TIME TO WINK AND THERE'S A TIME NOT TO WINK.

694
00:30:17,600 --> 00:30:18,700
I GOT WORD THAT YOU WERE SICK,

695
00:30:18,700 --> 00:30:19,900
AND I THOUGHT I WAS GOING TO SEE IT,

696
00:30:19,900 --> 00:30:23,400
AND I'M REALLY HAPPY THAT I DIDN'T SEE IT AT ALL.

697
00:30:23,400 --> 00:30:27,300
BUT YOUR LAUGH IS SO FAKE.

698
00:30:27,300 --> 00:30:28,400
IT WASN'T HER VOICE.

699
00:30:28,400 --> 00:30:30,000
- IT WAS THE ARMS...
- YEAH, THE ARMS WERE...

700
00:30:30,000 --> 00:30:32,000
T INFLECTED IT.

701
00:30:32,000 --> 00:30:35,400
SEE, THIS IS REALLY IMPORTANT,
BUT I'M SPEAI' LIKE THIS...

702
00:30:35,400 --> 00:30:36,100
THANK YOU.NK

703
00:30:36,100 --> 00:30:37,700
UP NEXT IS ELINA.

704
00:30:39,100 --> 00:30:41,600
CONGRATULATIONS.
YOU WERE THE CHALLENGE WINNER.

705
00:30:41,600 --> 00:30:43,000
- THANK YOU.
- WELL DONE.

706
00:30:43,500 --> 00:30:46,200
SO LET'S SEE IF YOU'RE
AS FIERCE IN YOUR COMMERCIAL

707
00:30:46,200 --> 00:30:47,800
AS YOU WAS IN YOUR CHALLENGE.

708
00:30:47,800 --> 00:30:49,900
NEW COVERGIRL BLAST COLLECTION SHADOWS

709
00:30:49,900 --> 00:30:53,200
TO HIGHLIGHT YOUR BIG, BOLD
LashBlast LASHES.

710
00:30:53,200 --> 00:30:54,300
BORING IS PAST,

711
00:30:54,300 --> 00:30:56,100
AND NOW LIFE'S A BLAST.

712
00:30:56,100 --> 00:30:58,200
NEW EYE ENHANCERS BLAST COLLECTION SHADOWS,

713
00:30:58,200 --> 00:31:01,700
FROM EASY, BREEZY, BEAUTIFUL COVERGIRL.

714
00:31:01,700 --> 00:31:03,200
YOU KNOW WHAT?WHEN YOU WERE IN YOUR CLOGS,

715
00:31:03,200 --> 00:31:04,000
YOU WALKED DOWN THE STAIRS

716
00:31:04,000 --> 00:31:06,900
AND YOU LOOKED DOWN THEN,AND YOU LOOKED DOWN
OU TOOK A STEP THERE.

717
00:31:06,900 --> 00:31:09,000
EYE CONTACT IS EVERYTHING,

718
00:31:09,000 --> 00:31:11,900
AND IF YOU NEED TO LOOK DOWN,DO THIS...

719
00:31:11,900 --> 00:31:13,200
DON'T PUT YOUR HEAD DOWN.

720
00:31:13,600 --> 00:31:15,500
YOUR WHOLE PERFORMANCE
IS A CLOSED FIST.

721
00:31:15,500 --> 00:31:17,800
I MEAN, EVERYTHING IS INSIDE.YOU'RE HOLDING BACK.

722
00:31:17,800 --> 00:31:20,000
THAT CRITIQUE IS CONSISTENT TO
WHAT YOUR CRITIQUE

723
00:31:20,000 --> 00:31:23,000
HAS BEEN HERE AT JUDGING, EVEN IN YOUR PHOTO SHOOTS,

724
00:31:23,000 --> 00:31:25,600
ABOUT NOT ALLOWING YOURSELF TO LET GO.

725
00:31:25,600 --> 00:31:26,600
OKAY, THANKS.

726
00:31:26,600 --> 00:31:28,300
UP NEXT IS SHEENA.

727
00:31:28,500 --> 00:31:29,200
HI.

728
00:31:29,500 --> 00:31:31,700
NEW COVERGIRL BLAST COLLECTION SHADOWS--

729
00:31:31,700 --> 00:31:34,900
A BLAST OF BIG, BEAUTIFUL LOOK-AT-ME COLOR

730
00:31:34,900 --> 00:31:36,800
WITH 23 HEAD-TURNING SHADES

731
00:31:36,800 --> 00:31:40,000
YOU CAN MIX, MATCH AND EXPRESS YOURSELF WITH.

732
00:31:40,000 --> 00:31:41,600
BORING IS PAST.

733
00:31:41,600 --> 00:31:44,100
NEW EYE ENHANCERS BLAST COLLECTION SHADOON,

734
00:31:44,100 --> 00:31:46,400
FROM EASY, BREEZY, BEAUTIFUL

735
00:31:46,400 --> 00:31:48,100
COVERGIRL.XT

736
00:31:48,100 --> 00:31:50,700
I THOUGHT YOU WERE ABOUT TO SNAKE IT OUT, GIRL.

737
00:31:50,700 --> 00:31:52,200
YOU WERE JUST ABOUT TO...

738
00:31:52,200 --> 00:31:53,200
YOU KNOW.

739
00:31:53,200 --> 00:31:55,000
IT WAS LIKE THE WAY YOU TALK TO US...

740
00:31:55,000 --> 00:31:56,200
AND THE WAY YOU CARRY YOURSELF.

741
00:31:56,200 --> 00:31:58,600
YOU DID IT THERE,AND IT REALLY WORKS ON TV.

742
00:31:58,600 --> 00:32:00,900
- THANK YOU.
- UP NEXT IS McKEY.

743
00:32:02,200 --> 00:32:05,100
ALL RIGHT,MISS LITTLE CUTE OUTFIT TODAY.

744
00:32:05,100 --> 00:32:06,800
LIFE'S A BLAST.

745
00:32:06,800 --> 00:32:09,600
ARE YOU READY FOR IT?

746
00:32:09,600 --> 00:32:12,500
NEW COVERGIRL BLAST COLLECTION SHADOWS-- 1

747
00:32:12,500 --> 00:32:15,400
A BLAST OF BIG, BEAUTIFUL LOOK-AT-ME COLOR,

748
00:32:15,400 --> 00:32:17,300
FROM EASY, BREEZY, BEAUTIFUL

749
00:32:17,300 --> 00:32:18,700
COVERGIRL.

750
00:32:18,700 --> 00:32:20,500
I THOUGHT THAT--THAT THE BEGINNING WAS DISASTROUS,

751
00:32:20,500 --> 00:32:23,000
EXCEPT FOR THE FACT THAT YOU LOOK ABSOLUTELY GORGEOUS.

752
00:32:23,000 --> 00:32:24,000
YOU TAKE A PRETTY PICTURE,

753
00:32:24,000 --> 00:32:27,800
BUT I THINK WHEN IK COMES TO OPENING YOUR MOUTH
AND DELIVERING A COMMERCIAL...

754
00:32:27,800 --> 00:32:30,500
IT'S NOT GOOD.THANK YOU.

755
00:32:30,500 --> 00:32:33,800
NOW IT IS TIME FOR THE JUDGES TO DELIBERATE.

756
00:32:33,800 --> 00:32:35,500
AND WHEN I CALL YOU BACK,

757
00:32:35,500 --> 00:32:39,800
I WILL ANNOUNCE WHICH ONE OF YOU IS NOT GOING T

758
00:32:39,800 --> 00:32:41,000
AMSTERDAM.

759
00:32:46,100 --> 00:32:49,100
???

760
00:32:51,200 --> 00:32:53,900
JASLENE WAS THE LAST MODEL STANDING IN CYCLE 8,

761
00:32:53,900 --> 00:32:56,500
LOCKING IN THE TITLE AMERICA'S NEXT TOP MODEL

762
00:32:56,500 --> 00:32:58,200
AND BECOMING A COVERGIRL.

763
00:32:58,200 --> 00:33:00,500
THIS IS MY LIFE AS A COVERGIRL.

764
00:33:00,500 --> 00:33:03,100
NOW JASLENE LIVES IN NEW YORK CITY

765
00:33:03,100 --> 00:33:05,100
AND IS SIGNED WITH ELITE MODEL MANAGEMENT.

766
00:33:05,100 --> 00:33:08,800
THIS IN-DEMAND MODEL CONTINUES TO GRACE COVER AFTER COVER,

767
00:33:08,800 --> 00:33:12,300
WALK THE RUNWAY FOR MAJOR DESIGNERS
LIKE CUSTO BARCELONA,

768
00:33:12,300 --> 00:33:15,900
AND LAND BACK-TO-BACK CAMPAIGNS FOR LOT 29.

769
00:33:15,900 --> 00:33:17,800
FOR YOUR CHANCE TO MEET THIS CYCLE'S WINNER,

770
00:33:17,800 --> 00:33:20,800
GO TO cwtv.com/covergirl

771
00:33:20,800 --> 00:33:22,600
AND ENTER THE MEET THE MODEL SWEEPSTAKES,AK

772
00:33:22,600 --> 00:33:26,500
OR TEXT "ANTM" TO 24475.'

773
00:33:28,500 --> 00:33:30,300
OKAY, MY FELLOW JUDGES,

774
00:33:30,300 --> 00:33:32,600
WHO IS NOT GOING TO...

775
00:33:32,600 --> 00:33:35,100
AMSTERDAM?

776
00:33:35,100 --> 00:33:36,000
SAMANTHA.

777
00:33:36,000 --> 00:33:37,900
I QUITE LIKE SAMANTHA'S VIDEO,

778
00:33:37,900 --> 00:33:39,000
- I'VE GOTTA SAY.
- I AGREE. I AGREE.

779
00:33:39,000 --> 00:33:40,400
- WELL, SHE'S LIKABLE.
- YES.

780
00:33:40,400 --> 00:33:43,100
AND I THINK THAT A TOP MODEL SHOULD BE LIKABLE.

781
00:33:43,100 --> 00:33:44,200
MARJORIE.

782
00:33:44,200 --> 00:33:47,700
I THINK SHE'S SO SMART AND QUITE...

783
00:33:47,700 --> 00:33:52,400
I THINK MARJORIE HAS MANAGED
TO USE THAT AWKWARD CHICKEN

784
00:33:52,400 --> 00:33:53,900
IN A GOOD WAY IN THAT COMMERCIAL,

785
00:33:53,900 --> 00:33:55,400
- BUT ONLY FOR TWO SECONDS.
- YEAH.

786
00:33:55,400 --> 00:33:56,000
ANALEIGH.

787
00:33:56,000 --> 00:33:58,600
- SHE WAS PERFECT.
- YEAH, SHE WAS ALIVE AND FRESH.

788
00:33:58,600 --> 00:34:00,100
I WAS BLOWN AWAY--

789
00:34:00,100 --> 00:34:04,700
SO BLOWN AWAY THAT I FELL
ON NIGEL'S SEXY SHOULDER AND GOT A LITTLE FEEL.

790
00:34:04,700 --> 00:34:05,400
JOSLYN.

791
00:34:05,400 --> 00:34:07,500
SHE HAD SUCH GREAT PICTURES WEEK TO WEEK,

792
00:34:07,500 --> 00:34:09,100
AND THEN I DON'T KNOW WHAT HAPPENED.

793
00:34:09,100 --> 00:34:10,900
AND THE THING IS THAT SHE DOESN'T SEEM TO BE FIXING IT.

794
00:34:10,900 --> 00:34:13,600
- SOMEHOW, I KEEP FORGETTING ABOUT JOSLYN.
- WHAT'S UP WITH THE WINKING?

795
00:34:13,600 --> 00:34:14,800
WHAT'S UP WITH THE WINKING?

796
00:34:14,800 --> 00:34:16,400
SHE WINKS EVERY TIME,AND THE GIGGLE.

797
00:34:16,400 --> 00:34:19,200
I DON'T THINK JOSLYN HAS THE MOST MODEL-ESQUE FACE.

798
00:34:19,200 --> 00:34:22,800
SHE GOES BACK TO THE DAY WHEN THERE WAS
JUST SHOW GIRLS AND PRINT GIRLS.

799
00:34:22,800 --> 00:34:25,300
PRINT GIRLS HAD NO PERSONALITY,BUT THEY WERE GORGEOUS,

800
00:34:25,300 --> 00:34:27,100
AND THE RUNWAY GIRLS HAD ALL THE PERSONALITY

801
00:34:27,100 --> 00:34:29,200
BUT THEY WERE SORT OF NOT GORGEOUS.

802
00:34:29,200 --> 00:34:30,500
- JOSLYN IS A RUNWAY GIRL.
- YEAH.

803
00:34:30,500 --> 00:34:31,100
ELINA.

804
00:34:31,100 --> 00:34:36,800
ELINA'S PERFORMANCE WAS
AS TIGHT AS HER BODY IS IN FRONT OF US AT JUDGING PANEL.

805
00:34:36,800 --> 00:34:38,100
AS BEAUTIFUL A GIRL AS SHE IS,

806
00:34:38,100 --> 00:34:40,500
IT DOESN'T TRANSLATE WHEN SHE'S SHOOTING A COMMERCIAL.

807
00:34:40,500 --> 00:34:43,700
THAT--THIS IS A PERFECT EXAMPLE OF THE LACK OF NATURAL CHARM.

808
00:34:43,700 --> 00:34:44,400
SHEENA.

809
00:34:44,400 --> 00:34:46,800
- SHEENA HAS LOOKS THAT CAN KILL.
- YEAH.

810
00:34:46,800 --> 00:34:49,800
BUT THAT'S KIND OF GOOD,
BECAUSE SHE--SHE'S EXPRESSIVE.

811
00:34:49,800 --> 00:34:52,000
I MEAN, WE KNOW WHAT SHE MEANS,UNLIKE ELINA THAT'S LIKE...

812
00:34:52,400 --> 00:34:53,600
SHE'S ALSO AWARE OF HER BODY

813
00:34:53,600 --> 00:34:55,100
BECAUSE SHE'S THE ONLY ONE OUT OF ALL THE GIRLS

814
00:34:55,100 --> 00:34:57,000
THAT BASICALLY FLOWED ACROSS THE RIGHT ROOM.

815
00:34:57,000 --> 00:34:58,700
IT'S CALLED THE SHEENA INKY SLINK.

816
00:34:58,700 --> 00:35:01,200
SHE INKS AND SHE SLINKS.

817
00:35:01,200 --> 00:35:03,200
SHE'S LIKE A RATTLESNAKE.

818
00:35:03,200 --> 00:35:04,100
McKEY.

819
00:35:04,100 --> 00:35:05,800
FUNNILY ENOUGH,I THINK McKEY'S FACE

820
00:35:05,800 --> 00:35:08,200
IS PROBABLY THE PRETTIEST FACE OUT THERE,

821
00:35:08,200 --> 00:35:10,700
ESPECIALLY FOR MAKEUP,OUT OF THE GIRLS WE'VE GOT.

822
00:35:10,700 --> 00:35:13,600
BUT AS SOON AS WE GOT HER IN MOTION,OH, IT WAS A DISASTER.

823
00:35:13,600 --> 00:35:15,100
I THINK WE HAVE A DIFFICULT DECISION

824
00:35:15,100 --> 00:35:18,600
BECAUSE WE HAVE SOME GIRLS THAT ARE
JUST FANTASTIC COMMERCIAL MODELS

825
00:35:18,600 --> 00:35:21,700
AND SOME THAT ARE WONDERFUL PHOTO MODELS.

826
00:35:21,700 --> 00:35:24,500
WE DON'T REALLY SEEM TO HAVE
ONE THAT'S GREAT AT BOTH.

827
00:35:24,500 --> 00:35:26,000
EXCEPT FOR YOU AND I,PAULINA.

828
00:35:26,000 --> 00:35:26,000
LET'S COME OUT OF RETIREMENT.

829
00:35:26,000 --> 00:35:28,900
- YEAH! OKAY!
- YES!

830
00:35:28,900 --> 00:35:30,800
PAULINA AND TYRA ARE GOING TO HOLLAND.

831
00:35:30,800 --> 00:35:32,400
AMSTERDAM, BABY!

832
00:35:32,400 --> 00:35:33,700
WE'VE REACHED A DECISION.

833
00:35:39,300 --> 00:35:41,900
SEVEN BEAUTIFUL YOUNG WOMEN STAND BEFORE ME,

834
00:35:41,900 --> 00:35:44,800
BUT I HAVE SIX PHOTOS IN MY HANDS.

835
00:35:44,800 --> 00:35:48,300
THESE PHOTOS ARE SCREEN GRABBED
FROM THE COMMERCIAL THAT YOU DID.

836
00:35:48,600 --> 00:35:52,500
AND ONLY SIX OF YOU WILL BE GOING TO AMSTERDAM.

837
00:35:52,900 --> 00:35:54,700
THE FIRST NAME I'M GOING TO CALL

838
00:35:54,700 --> 00:35:57,600
IS THE BEST COMMERCIAL IN THE BUNCH...

839
00:35:58,800 --> 00:36:00,200
ANALEIGH.

840
00:36:04,200 --> 00:36:05,500
CONGRATULATIONS.

841
00:36:05,500 --> 00:36:08,200
YOU'RE STILL IN THE RUNNING TOWARDS BECOMING
AMERICA'S NEXT TOP MODEL.

842
00:36:08,200 --> 00:36:09,400
- THANK YOU.
- YOU'RE GOING TO AMSTERDAM.

843
00:36:09,400 --> 00:36:10,400
THANK YOU.

844
00:36:10,700 --> 00:36:13,200
RUNNER-UP FOR BEST COMMERCIAL...

845
00:36:14,000 --> 00:36:14,900
SHEENA.

846
00:36:19,800 --> 00:36:21,500
- CONGRATULATIONS.
- THANK YOU.

847
00:36:22,500 --> 00:36:24,500
- SAMANTHA.
- AMSTERDAM! AAH!

848
00:36:25,900 --> 00:36:27,800
- CONGRATULATIONS.
- THANK YOU, TYRA.

849
00:36:27,800 --> 00:36:29,600
YOU'RE STILL IN THE RUNNING TOWARDS BECOMING
AMERICA'S NEXT TOP MODEL.

850
00:36:29,600 --> 00:36:30,600
- THANK YOU SO MUCH.
- YOU'RE WELCOME.

851
00:36:30,600 --> 00:36:31,900
THANK YOU.

852
00:36:37,400 --> 00:36:41,000
THE NEXT NAME I'M GOING M CALL IS...

853
00:36:41,000 --> 00:36:42,300
MARJORIE.

854
00:36:45,300 --> 00:36:47,800
PRETTY FRENCH GIRL IS GOING TO HOLLAND!

855
00:36:47,800 --> 00:36:48,800
THANK YOU.

856
00:54:41,000 --> 00:36:56,300
THE NEXT NAME I'M GOING TO CALL IS...

857
00:36:57,000 --> 00:36:58,300
McKEY.

858
00:37:01,000 --> 00:37:04,100
SOMEBODY NEEDS TO LEARN HOW TO DO COMMERCIAL A LOT BETTER.

859
00:37:04,100 --> 00:37:06,300
- I'LL PRACTICE, I SWEAR.
- ALL RIGHTY.

860
00:37:06,300 --> 00:37:08,900
YOU'RE STILL IN THE RUNNING TOWARDS BECOMING
AMERICA'S NEXT TOP MODEL.

861
00:37:08,900 --> 00:37:11,300
THANK YOU. THANKS.

862
00:37:12,600 --> 00:37:15,400
WILL JOSLYN AND ELINA PLEASE STEP FORWARD?

863
00:37:17,300 --> 00:37:19,300
TWO BEAUTIFUL YOUNG LADIES STAND BEFORE ME,

864
00:37:19,300 --> 00:37:22,600
BUT I ONLY HAVE ONE PHOTO IN MY HANDS,

865
00:37:22,600 --> 00:37:24,200
AND THIS PHOTO REPRESENTS THE GIRL THAT IS

866
00:37:24,200 --> 00:37:28,200
STILL IN THE RUNNING TOWARDS BECOMING
AMERICA'S NEXT TOP MODEL.

867
00:37:28,200 --> 00:37:31,000
I WILL CALL ONLY OL NAME,AND THE NAME THAT I DO NOT CALL

868
00:37:31,000 --> 00:37:33,100
MUST IMMEDIATELY RETURN TO THE HOUSE,

869
00:37:33,100 --> 00:37:36,100
PACK YOUR BELONGINGS AND GO HOME.

870
00:37:36,100 --> 00:37:37,900
COME ON, JOSLYN.COME ON, JOSLYN.

871
00:37:37,900 --> 00:37:39,100
TWO VERY INTERESTING GIRLS,

872
00:37:39,100 --> 00:37:41,100
VERY DIFFERENT GIRLS--

873
00:37:41,100 --> 00:37:45,500
ONE WHO TOOK FANTASTIC, STRONG PICTURES
IN THIS COMPETITION,

874
00:37:45,500 --> 00:37:48,300
BUT THEN KINDA STARTED TO FALTER A BIT...

875
00:37:48,300 --> 00:37:51,700
ANOTHER WHO TOOK STRONG PICTURES IN THIS COMPETITION,

876
00:37:51,700 --> 00:37:56,000
BUT THE JUDGES DON'T THINK THAT
SHE IS TRANSLATING TO MOVING PICTURES.

877
00:37:56,000 --> 00:37:57,600
SO WHO GOES HOME?

878
00:37:59,900 --> 00:38:04,000
ONE THING ABOUT BOTH OF YOU IS YOU GUYS
BOTH HAVE SUCH A STRENGTH.

879
00:38:04,000 --> 00:38:06,300
ELINA, YOU HAVE SUCH A STRENGTH,

880
00:38:06,300 --> 00:38:10,500
BUT IT'S A STRENGTH THAT IS IN DESPERATE NEED OF CONTROL.

881
00:38:10,500 --> 00:38:13,900
AND, JOSLYN, YOU HAVE SUCH A BEAUTIFUL STRENGTH.

882
00:38:13,900 --> 00:38:17,400
AND FOR SOMEBODY TO GET UP AND BE SO SICK BUT STILL TO PERFORM,

883
00:38:17,400 --> 00:38:19,100
THAT'S A SURVIVOR.

884
00:38:20,200 --> 00:38:23,300
COME ON, JOSLYN.COME ON.

885
00:38:26,800 --> 00:38:29,900
AND, JOSLYN,YOU'LL BE ABLE TO SURVIVE THIS.

886
00:38:30,900 --> 00:38:32,200
Elina

887
00:38:32,200 --> 00:38:35,500
OH, MY GOD!

888
00:38:41,500 --> 00:38:42,800
I THOUGHT I WAS GOING HOME.

889
00:38:42,800 --> 00:38:45,500
- YOU ALMOST WERE.
- I KNOW.

890
00:38:45,500 --> 00:38:47,000
YOU'VE GOTTA LET GO,

891
00:38:47,000 --> 00:38:50,000
'CAUSE IF YOU DON'T, YOU'RE GONNA GO HOME.

892
00:38:50,000 --> 00:38:52,500
- BUT YOU'RE GOING TO AMSTERDAM.
- THANK YOU!

893
00:38:52,900 --> 00:38:54,800
- CONGRATULATIONS.
- THANK YOU SO MUCH.

894
00:38:54,800 --> 00:38:57,400
YOU'RE STILL IN THE RUNNING TOWARDS BECOMING
AMERICA'S NEXT TOP MODEL.

895
00:38:57,400 --> 00:38:58,800
- THANK YOU.
- YOU'RE WELCOME.

896
00:38:59,700 --> 00:39:01,100
GIVE ME A HUG.

897
00:39:02,300 --> 00:39:05,700
I AM SO PROUD OF YOU FOR PUSHING THROUGH LIKE THAT.

898
00:39:05,700 --> 00:39:07,600
BUT WHAT THE JUDGES ARE NOT GONNA GIVE

899
00:39:07,600 --> 00:39:10,700
IS PITY POINTS OR POINTS JUST FOR DELIVERING.

900
00:39:10,700 --> 00:39:13,000
AND WE FEEL LIKE YOU'VE BEEN FALLING APART.

901
00:39:13,000 --> 00:39:15,000
SO I WANT YOU TO GO HOME,

902
00:39:15,000 --> 00:39:17,800
I WANT YOU TO PRACTICE, PRACTICE, PRACTICE,

903
00:39:17,800 --> 00:39:19,200
AND HOPEFULLY YOU'RE GONNA LEAVE THIS COMPETITION

904
00:39:19,200 --> 00:39:21,900
WITH A LITTLE BIT MORE SELF-ESTEEM
THAN YOU CAME IN WITH.

905
00:39:21,900 --> 00:39:23,600
- OKAY.
- OKAY.

906
00:39:39,800 --> 00:39:42,000
I WAS IN COMPLETE SHOCK
THAT I WAS ELIMINATED.

907
00:39:42,000 --> 00:39:43,600
I REALLY DID NOT SEE IT COMING.

908
00:39:43,600 --> 00:39:47,000
I DO NOT FEEL LIKE ALL THE GIRLS
THAT ARE TRAVELING ABROAD DESERVE TO GO.

909
00:39:47,000 --> 00:39:49,800
BUT I'M A SURVIVOR.I'VE NEVER GIVEN UP.

910
00:39:49,800 --> 00:39:52,600
AND JUST BECAUSE I'M NOT GOING TO AMSTERDAM

911
00:39:52,600 --> 00:39:55,200
DOESN'T MEAN THAT I'M GOING TO GIVE UP NOW.

912
00:39:55,200 --> 00:39:59,000
I'M STILL GOING TO CONTINUE TO--TO STRIVE
FOR WHAT I WANT IN LIFE.

913
00:39:59,000 --> 00:40:01,400
AND THIS--THIS IS NOT GONNA CHANGE ANYTHING.

914
00:40:01,400 --> 00:40:03,300
YOU'LL DEFINITELY SEE ME AGAIN,

915
00:40:03,300 --> 00:40:06,100
'CAUSE I'M GOING TO GET OUT OF LUCKY
AND PURSUE MY CAREER.